Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- About this Chapter
- Why use Reason with ReWire?
- Introducing ReWire!
- Preparations for Using ReWire - Macintosh only
- Launching and Quitting
- Steinberg Cubase VST
- Emagic Logic Audio
- Mark of the Unicorn Digital Performer
- Using the Transport and Tempo Controls
- MIDI Control With ReWire
- Converting ReWire Channels to Audio Tracks
- Synchronization
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- NN-19 Digital Sampler
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- The Effect Devices
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
MIDI AND KEYBOARD REMOTE CONTROL
54
Introduction
It is possible to assign computer keyboard commands and/or MIDI controller
messages to most Reason device parameters or functions. Both methods al-
low you to use a “learn” function to instantly assign the parameter knob,
slider or button to a keyboard command or a controller on an external device.
MIDI Remote Mapping
If you want to control one or several Reason parameters in real time from an
external MIDI device, you can use MIDI Remote Mapping. The external de-
vice could be a dedicated MIDI performance controller, for example.
Setting Up
! If you are using a single MIDI interface with only one MIDI Input,
there are certain restrictions to how you can use MIDI Remote Map-
ping. See “Example MIDI Setups” below for an explanation.
To set up Reason for MIDI Remote Mapping, proceed as follows:
1. Open the Preferences dialog from the Edit menu and select the MIDI
page.
2. Open the Remote Control pop-up in the Miscellaneous section, and
select your MIDI input.
This should be a preferably be a separate port that you “dedicate” to
sending controller messages, see below.
3. Close the Preferences dialog.