Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- About this Chapter
- Why use Reason with ReWire?
- Introducing ReWire!
- Preparations for Using ReWire - Macintosh only
- Launching and Quitting
- Steinberg Cubase VST
- Emagic Logic Audio
- Mark of the Unicorn Digital Performer
- Using the Transport and Tempo Controls
- MIDI Control With ReWire
- Converting ReWire Channels to Audio Tracks
- Synchronization
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- NN-19 Digital Sampler
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- The Effect Devices
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
SUBTRACTOR SYNTHESIZER
107
➜ 12 dB Lowpass (LP 12)
This type of lowpass filter is also widely used in analog synthesizers
(Oberheim, early Korg synths etc.). It has a gentler slope (12 dB/Octave),
leaving more of the harmonics in the filtered sound compared to the LP
24 filter.
The darker curve illustrates the roll-off curve of the 12dB Lowpass Filter. The lighter
curve in the middle represents the filter characteristic when the Resonance
parameter is raised.
➜ Bandpass (BP 12)
A bandpass filter cuts both high and low frequencies, while midrange fre-
quencies are not affected. Each slope in this filter type has a 12 dB/Oc-
tave roll-off.
The darker curve illustrates the roll-off curve of the Bandpass Filter. The lighter
curve in the middle represents the filter characteristic when the Resonance
parameter is raised.