6.0

TABLE OF CONTENTS
20
Using the BV512 as an equalizer 863
BV512 parameters 864
Connections 865
Automation 866
Tips and tricks 867
Choosing a carrier sound 867
Choosing a modulator sound 868
Using the modulator as carrier 869
Controlling the Hold function 870
Using the individual band level connections 870
“Playing” the vocoder from a MIDI keyboard 872
Using the BV512 as a reverb 872
Neptune Pitch Adjuster and
Voice Synth 875
Introduction 876
Typical use cases 876
Overview and basic concepts 877
Sections overview 877
The display 878
Setting up for pitch processing 878
Setting up for pitch processing of recorded audio
tracks 878
Setting up for pitch processing of “live” audio 879
Using pitch correction 879
Basic settings for pitch correction 880
Using automatic pitch correction 881
Using manual pitch correction 885
Using pitch shifting (Transpose) 886
Using Formant control 887
What are formants? 887
Using the Formant function 888
Using the Voice Synth 888
Panel parameters 889
Level Meter and Bypass/On/Off switch 889
Bend and Vibrato wheels 889
Input signal type 890
MIDI Input 890
Pitch Adjust section 891
Transpose section 892
Formant section 892
The Output Mixer section 892
Connections 893
Sequencer Control 893
CV In 893
CV Out 894
Audio In 894
Voice Synth Out 894
Audio Out 894
Pitch adjustment tips and tricks 895
Using automation for temporary pitch correction 895
Hard pitch correction of a vocal track 896
Pitch correction with changed voice character 896
Octave dub 896
Pitch-shifting drums (non-pitched input) 896
Speech effects 897
About “freezing” pitch adjustments on audio tracks 897
Half-Rack Effects 899
Common effect device features 900
DDL-1 Digital Delay Line 902
CF-101 Chorus/Flanger 903
Spider Audio Merger & Splitter 905
Spider CV Merger & Splitter 907
RV-7 Digital Reverb 911
D-11 Foldback Distortion 913
ECF-42 Envelope Controlled Filter 914