11.0
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
TABLE OF CONTENTS18
Adding devices to a Combi 703
About the Insertion line 703
Creating new devices in a Combi 703
Adding devices using drag and drop 704
Adding devices using copy/paste 705
Adding a Combi to a Combi 705
Combining two Combis 705
Combining devices in a Combi with devices in the rack
705
Combi handling 705
Moving the entire Combi 705
Moving devices within a Combi 706
Moving devices out of a Combi 706
Deleting devices in a Combi 706
Uncombining devices 706
The Controller panel 707
Select backdrop... 708
Using the Programmer 709
Key Mapping instrument devices 710
Setting Velocity Ranges for instrument devices 711
Using Modulation Routing 712
CV Connections 715
Pulsar Dual LFO 717
Introduction 718
Panel parameters 718
LFO 1&2 common parameters 718
LFO 1 specific parameters 720
LFO 2 specific parameters 720
LFO 2 to LFO 1 modulation parameters 720
Envelope 721
KBD Follow 723
Modulation inputs and outputs 724
LFO 1&2 input sections 724
LFO 1&2 output sections 725
Output LFO 1+2 725
Envelope connections 725
Tips and Tricks 726
Patch between LFO 1 and LFO 2 on the back for more
flexibility 726
Using Pulsar as a monophonic synth 726
RPG-8 Arpeggiator 727
Introduction 728
Using the RPG-8 729
Setting up 729
RPG-8 Parameters 732
MIDI-CV Converter parameters 732
Arpeggiator parameters 733
Pattern editor 735
CV connections 736
Tips and tricks 738
Matrix Pattern Sequencer 739
Introduction 740
About the three Output types 740
Programming patterns 741
Pattern basics 741
Tutorial 743
Using Curve Patterns 745
Setting Pattern Length 746
Using Tied Notes 746
Setting Pattern Resolution 747
Pattern Shuffle 747
Pattern Mute 747
Pattern Functions 748
Chaining Patterns 748
Example usage 749
Using the Matrix for modulation 749
Programming “Acid Style” lead lines 750
Triggering samples 750
Mixer 14:2 751
Introduction 752
The Channel Strip 752
Channel Strip Controls 753