11.0
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
TABLE OF CONTENTS12
Using the main panel 428
The Pitch and Modulation wheels 428
The External Control wheel 428
High Quality Interpolation 429
Global Controls 429
Overview of the Remote Editor panel 431
The Key Map display 431
Sample parameters 432
Group parameters 432
Synth Parameters 433
About Samples and Zones 433
Selections and Edit Focus 434
Selecting Zones 435
Moving Edit Focus 437
Adjusting parameters 437
Adjusting Synth parameters 437
Adjusting Group parameters 437
Sample parameters 438
Managing Zones and Samples 439
Creating a Key Map 439
About file formats and REX slices 440
Adding more samples to the Key Map 440
Replacing a sample 440
Quick browsing through samples 441
Removing samples 441
Auditioning samples 441
Adding empty Zones 441
Duplicating Zones 442
Removing Zones 442
Rearranging Zones in the List 442
Working with Grouping 442
About Groups 442
Creating a Group 442
Moving a Group to another position in the List 443
Moving a Zone from one Group to another 443
Selecting a Group and/or Zones in a Group 444
The Group Parameters 444
Working with Key Ranges 444
About Key Ranges 444
Setting up Key Ranges 444
About the Lock Root Keys function 448
About the Solo Sample function 449
Sorting Zones by Note 450
Setting Root Notes and Tuning 451
About the Root Key 451
Setting the Root Note manually 451
Tuning samples manually 451
Setting the Root Note and Tuning using pitch detection
452
About changing the pitch of samples 452
Using Automap 452
Layered, crossfaded and velocity
switched sounds 453
Creating layered sounds 453
About velocity ranges 453
Setting velocity range for a Zone 455
About Crossfading Between Zones 455
Setting crossfading for a Zone 457
Using Alternate 457
About the Alternate function 457
Sample parameters 458
Root Note and Tune 458
Sample Start and End 458
Loop Start and End 458
Play Mode 459
Lo Key and Hi Key 459
Lo Vel and Hi Vel 459
Fade In and Fade Out 459
Alt 459
Out 459
Group parameters 460
Key Poly 460
Legato and Retrig 461
LFO 1 Rate 461
Portamento 461
Synth parameters 462
The Modulation controls 462
The Velocity controls 464
The Pitch section 465
The Filter section 466
The Modulation Envelope 467
The Amplitude Envelope 469
The LFOs 470
Connections 473
Sequencer Control 473
Modulation Input 473