12.2
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Mimic Creative Sampler
- Introduction
- Panel overview
- Signal flow
- Playing and using Mimic
- Panel reference
- Connections
- Tips and Tricks
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Introduction
- Combinator overview
- Creating a Combinator device
- About internal and external audio connections
- Adding devices to a Combi
- Combinator handling
- Configuring the Combinator panel
- Assigning panel controls to parameters in the Editor
- Using Modulation Routing
- CV Connections
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- Index
TABLE OF CONTENTS7
Dr. Octo Rex Loop Player 149
Introduction 150
ReCycled Loops 150
About REX file formats 151
Loading and saving Dr. Octo Rex patches
151
About the Dr. Octo Rex patch format 151
Playing Loops 151
Switching playback between Loop Slots 152
Adding Loops 153
Loading Loops “On the Fly” 153
Removing Loops 154
Cut/Copy and Paste Loops between Loop Slots 154
Playing individual Loop Slices 154
Slice handling 155
Selecting Slices 155
Editing Slices in the Waveform Display 156
The Slice Edit Mode 157
Dr. Octo Rex panel parameters 158
Pitch and Mod wheels 158
Trig Next Loop 158
Note To Slot 158
Loop Slot buttons 159
Enable Loop Playback and Run 159
Volume 159
Global Transpose 159
Dr. Octo Rex synth parameters 160
Select Loop & Load Slot 160
Copy MIDI Notes to a sequencer track 160
Loop Transpose 161
Loop Level 161
Oscillator section 161
Mod. Wheel 162
Velocity section 162
The Filter Section 163
Envelope section 164
LFO section 165
Pitch Bend Range 166
Setting number of voices - polyphony 167
Audio Quality settings 167
Connections 167
Modulation Inputs 168
Modulation Outputs 168
Gate Inputs 168
Gate Output 168
Slice Outputs 168
Main Outputs 168
Europa Shapeshifting
Synthesizer 169
Introduction 170
Panel overview 171
Signal flow 172
Playing and using Europa 173
Loading and saving patches 173
Global output controls 173
Global performance and “play” controls 173
Panel reference 175
Sound Engines On/Off and Edit Focus section 175
The Oscillator section 175
The Modifiers section 178
The Spectral Filter 180
The Harmonics section 182
The Unison section 184
The User Wave and Mixer section 185
The Filter section 186
The Amplifier section 188
The Envelopes section 190
The LFO section 194
The Effects section 195
The Modulation Bus section 198
Connections 202
Sequencer Control inputs 202
CV Modulation inputs and outputs 202
Audio Output 202
Tips and Tricks 203
Creating an individual “pre amp envelope” for a Sound
Engine 203
Recording display movements in the sequencer 204










