12.2
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Mimic Creative Sampler
- Introduction
- Panel overview
- Signal flow
- Playing and using Mimic
- Panel reference
- Connections
- Tips and Tricks
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Introduction
- Combinator overview
- Creating a Combinator device
- About internal and external audio connections
- Adding devices to a Combi
- Combinator handling
- Configuring the Combinator panel
- Assigning panel controls to parameters in the Editor
- Using Modulation Routing
- CV Connections
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- Index
TABLE OF CONTENTS18
CF-101 Chorus/Flanger 713
Spider Audio Merger & Splitter 715
Spider CV Merger & Splitter 717
RV-7 Digital Reverb 721
D-11 Foldback Distortion 723
ECF-42 Envelope Controlled Filter 724
PH-90 Phaser 726
UN-16 Unison 728
COMP-01 Auto Make-up Gain
Compressor 729
PEQ-2 Two Band Parametric EQ 730
The Combinator 731
Introduction 732
Combinator overview 733
Creating a Combinator device 734
Creating an empty Combinator device 734
Creating a Combinator by combining devices 734
Creating a Combinator by browsing patches 734
About internal and external audio
connections 735
External audio connections 735
Internal audio connections 735
About External Routing 736
Adding devices to a Combi 737
Creating new devices in a Combi 737
Adding existing devices to the Combi from the rack 738
Combining two Combis 738
Combinator handling 739
Moving the entire Combi 739
Moving devices within a Combi 739
Moving devices out of a Combi 739
Deleting devices in a Combi 739
Uncombining devices 739
Configuring the Combinator panel 740
Opening the Configuration panel 740
Setting the front panel size 741
Selecting front panel background color 741
Selecting a backdrop image 741
Selecting, positioning and editing front panel controls
743
Assigning panel controls to parameters
in the Editor 747
Key Mapping instrument devices 747
Setting Velocity Ranges for instrument devices 749
Using Modulation Routing 750
About Rotary/Slider and Switch controls 751
About the CV Inputs 751
Assigning panel controls to device parameters 751
CV Connections 756
Sequencer Control inputs 756
Control CV In 756
Wheel CV In and Source CV In 757
Pulsar Dual LFO 759
Introduction 760
Panel parameters 760
LFO 1&2 common parameters 760
LFO 1 specific parameters 762
LFO 2 specific parameters 762
LFO 2 to LFO 1 modulation parameters 762
Envelope 763
KBD Follow 765
Modulation inputs and outputs 766
LFO 1&2 input sections 766
LFO 1&2 output sections 767
Output LFO 1+2 767
Envelope connections 767
Tips and Tricks 768
Patch between LFO 1 and LFO 2 on the back for more
flexibility 768
Using Pulsar as a monophonic synth 768