12.2
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Mimic Creative Sampler
- Introduction
- Panel overview
- Signal flow
- Playing and using Mimic
- Panel reference
- Connections
- Tips and Tricks
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Introduction
- Combinator overview
- Creating a Combinator device
- About internal and external audio connections
- Adding devices to a Combi
- Combinator handling
- Configuring the Combinator panel
- Assigning panel controls to parameters in the Editor
- Using Modulation Routing
- CV Connections
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- Index
TABLE OF CONTENTS13
Sample parameters 488
Root Note and Tune 488
Sample Start and End 488
Loop Start and End 488
Play Mode 489
Lo Key and Hi Key 489
Lo Vel and Hi Vel 489
Fade In and Fade Out 489
Alt 489
Out 489
Group parameters 490
Key Poly 490
Legato and Retrig 491
LFO 1 Rate 491
Portamento 491
Synth parameters 492
The Modulation controls 492
The Velocity controls 494
The Pitch section 495
The Filter section 496
The Modulation Envelope 497
The Amplitude Envelope 499
The LFOs 500
Connections 503
Sequencer Control 503
Modulation Input 503
Gate Input 503
Audio Output 503
NN-19 Sampler 505
Introduction 506
General sampling principles 506
Background 506
Multisampling vs. single samples 506
About audio file formats 507
Loading a Sample Patch 507
Loading REX Files as Patches 507
About Key Zones and samples 508
Loading a Sample into an empty NN-19 508
Loading SoundFont samples 509
Loading REX slices as samples 509
Creating Key Zones 510
Selecting Key Zones 510
Setting the Key Zone Range 510
Deleting a Key Zone 511
About Key zones, assigned and unassigned samples
511
Adding sample(s) to a Key Map 511
Setting the Root Key 512
Removing sample(s) from a Key Map 512
Removing all unassigned samples 512
Rearranging samples in a Key Map 512
Setting Sample Level 512
Tuning samples 513
Looping Samples 513
About the Solo Sample function 513
Automap Samples 514
Mapping samples without Root Key or Tuning
information 514
How Mapping Information is saved 514
NN-19 synth parameters 515
The Oscillator Section 515
The Filter Section 516
Envelope Section 517
LFO Section 518
Play Parameters 520
Velocity Control 520
Pitch Bend and Modulation Wheels 521
Legato 521
Retrig 521
Portamento (Time) 522
Setting Number of Voices - Polyphony 522
Voice Spread 522
Low Bandwidth 522
Controller Section 522
Connections 523
Audio Outputs 523
Mono Sequencer Control 523
Modulation Inputs 523
Modulation Outputs 523
Gate Inputs 524
MIDI Out Device 525
Introduction 526