12.2
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Mimic Creative Sampler
- Introduction
- Panel overview
- Signal flow
- Playing and using Mimic
- Panel reference
- Connections
- Tips and Tricks
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Introduction
- Combinator overview
- Creating a Combinator device
- About internal and external audio connections
- Adding devices to a Combi
- Combinator handling
- Configuring the Combinator panel
- Assigning panel controls to parameters in the Editor
- Using Modulation Routing
- CV Connections
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- Index
TABLE OF CONTENTS12
Panel controls 438
The Instruments section 438
The Filter section 444
The Amp section 446
The Delay section 448
The Reverb section 449
Connections 451
Sequencer Control inputs 451
Modulation Inputs 451
Audio Out 451
NN-XT Sampler 453
Introduction 454
Panel overview 455
The main panel 455
The Remote Editor panel 455
Loading complete Patches and REX files
456
Loading NN-XT Patches 456
Loading NN-19 Patches 456
Loading SoundFonts 457
Loading complete REX files as Patches 457
Using the main panel 458
The Pitch and Modulation wheels 458
The External Control wheel 458
High Quality Interpolation 459
Global Controls 459
Overview of the Remote Editor panel 461
The Key Map display 461
Sample parameters 462
Group parameters 462
Synth Parameters 463
About Samples and Zones 463
Selections and Edit Focus 464
Selecting Zones 465
Moving Edit Focus 467
Adjusting parameters 467
Adjusting Synth parameters 467
Adjusting Group parameters 467
Sample parameters 468
Managing Zones and Samples 469
Creating a Key Map 469
About file formats and REX slices 470
Adding more samples to the Key Map 470
Replacing a sample 470
Quick browsing through samples 471
Removing samples 471
Auditioning samples 471
Adding empty Zones 471
Duplicating Zones 472
Removing Zones 472
Rearranging Zones in the List 472
Working with Grouping 472
About Groups 472
Creating a Group 472
Moving a Group to another position in the List 473
Moving a Zone from one Group to another 473
Selecting a Group and/or Zones in a Group 474
The Group Parameters 474
Working with Key Ranges 474
About Key Ranges 474
Setting up Key Ranges 474
About the Lock Root Keys function 478
About the Solo Sample function 479
Sorting Zones by Note 480
Setting Root Notes and Tuning 481
About the Root Key 481
Setting the Root Note manually 481
Tuning samples manually 481
Setting the Root Note and Tuning using pitch detection
482
About changing the pitch of samples 482
Using Automap 482
Layered, crossfaded and velocity
switched sounds 483
Creating layered sounds 483
About velocity ranges 483
Setting velocity range for a Zone 485
About Crossfading Between Zones 485
Setting crossfading for a Zone 487
Using Alternate 487
About the Alternate function 487