11.3
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
MATRIX PATTERN SEQUENCER754
Programming “Acid Style” lead lines
By “acid style” lead lines we mean patterns that use a combination of Legato and slide (or portamento) effects to pro-
duce the widely used hypnotic “wavy” sound produced by the original Roland TB-303, and recreated in the Propeller-
head Software product ReBirth. To approximate this typical sound using Reason, proceed as follows:
1. Create a Synthesizer (Subtractor or Malström).
2. Create a Matrix Pattern Sequencer, or if one already exists, set it to an empty pattern.
3. Make sure that the Note and Gate CV outputs are connected to the synthesizers Sequencer Control CV and
Gate inputs, respectively.
4. For Subtractor, select either a Init Patch, or use the “TB Synth” patch in the Monosynth category of the Reason
Factory Sound Bank.
D If you use an Init patch, it is important that you make the following settings:
• Set Polyphony to “1”.
• Switch Trigger Mode to “Legato”.
• Set Portamento to a value around “50”.
5. Create a pattern in Matrix, and keep it playing back.
D If “Tie” (see “Using Tied Notes”) now is activated for a step, the note will be tied to the next and the pitch will
continuously “glide” to the pitch of the following step.
Please note that Tie should be activated on the note you wish to slide from, and not the note you slide to.
D If you have several tied notes, one after the other, they will play as one long legato phrase. This can be used to
create “wavy” lead lines with pitch bend effects.
6. Experiment with different Note, Tie and Gate values.
If you have ever used a TB-303 or ReBirth, you should now begin to get the hang of how you can create patterns
in that particular style by using the Matrix together with a synthesizer.
q Adding a DDL-1 (delay), and a D-11 (distortion) effect device will make it sound even more “ReBirth”-like, but
of course you are also able to get a much wider range of timbres by utilizing Reason’s other sound and modu-
lation capabilities.
Triggering samples
The Gate CV output can be used to trigger samples, either in Redrum or in the NN-19 or NN-XT Sampler.
D Connect the Matrix Gate CV out to the Gate (Sequencer Control) in on the NN-19/NN-XT or to one of the indi-
vidual Gate Channel inputs of Redrum.
Gate values will now trigger the sample on each step with Gate values above “0”.










