11.3
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
HALF-RACK EFFECTS694
ECF-42 Envelope Controlled Filter
! Please, note that this device is not available in Reason Intro Rack Plugin.
The ECF-42 is a multimode filter with a built in envelope generator. It is mainly designed to be used together with
pattern devices to create pattern controlled filter and envelope effects, but it can also be triggered via MIDI, or used
as a “static” filter for shaping the sound of an instrument device or a whole mix.
Usage
The Envelope Controlled Filter is best connected as an insert effect. However, unlike the other effects it is not a pure
“stand-alone” device. To make the most of the ECF-42, you need either CV/Gate from an external device or MIDI
notes from a sequencer track.
• If you connect a device to the ECF-42 using audio inputs/outputs only, it will simply act as a filter with no ve-
locity or envelope modulation.
Hence, all filter parameters are “static”, unless you manually turn the knobs or automate them in the sequencer.
• Connecting a gate signal to the Env Gate input on the back panel of the device allows you to trigger the enve-
lope generator for the filter.
Note that the ECF-42 envelope generator is not triggered by the audio itself - the envelope parameters won’t do
anything unless the device receives gate signals.
• By putting the ECF-42 in a Combinator (so it can receive MIDI), you can have the envelope triggered by MIDI
notes on the track.
The envelope is affected by the position, length and velocity of the MIDI notes (but not by their pitch).
q If you are unfamiliar with basic filter and envelope parameters, please refer to “Envelopes - General” in the
Subtractor chapter for a description of these.
The Filter Parameters
The ECF-42 filter section has the following parameters:
|
Parameter
|
Description
Mode This button sets the desired filter mode. Three modes are available: 24dB/octave lowpass, 12dB/octave
lowpass and 12dB/octave bandpass.
Freq This is the filter cutoff frequency. When using the ECF-42 in “static” mode (without triggering the enve-
lope), this parameter adjusts the frequency content of the sound.
When using the envelope, the Freq parameter serves as the start and end frequency for the filter sweep.
Res This is the filter resonance. Raising this produces a more extreme, “synthy” effect.
Env Amt Determines how much the filter frequency should be affected when the envelope is triggered. The higher
the value, the more drastic the effect. Note though, that if the Freq parameter is set high, raising the Enve-
lope Amount will not make any difference over a certain value! This is because the filter is already fully
opened - try lowering the Freq parameter in that case.
Velocity This parameter determines how much the gate velocity value should affect the envelope amount.










