11.3
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
SOFTUBE AMPS624
About the Amp and Cabinet models
Softube Amp
The following Amp models are available in the Softube Amp:
The following Cabinet models are available in the Softube Amp:
Softube Bass Amp
The following Amp models are available in the Softube Bass Amp:
The following Cabinet models are available in the Softube Bass Amp:
|
Amp Model
|
Amp modeled on
Twang A silvery American classic, great for clean and slightly overdriven guitars. Pop-
ular for country, blues and more.
Crunch British 60's classic that keeps its chiming, present character whether you play
it clean or drive it so hard it's on the verge of breaking down.
Rock A yummy, warm, fat, tube distortion. Just like Mama used to make it.
Lead The boogie man has come in all his high gain glory! Screaming leads and
power chords that sustain for days.
|
Cabinet Model
|
Cabinet + microphone modeled on
Bright A 2x12 cabinet with deep lows and heavenly highs. The oh-so-familiar dy-
namic mic is placed on axis but still lets a hint of room into the sound.
Room A more midrange present 2x12, with the small diaphragm dynamic mic placed
off axis and a wide stereo room added.
Fat Fat, solid 4x12 classic. Captured with a German condenser microphone on
axis for that full bodied sound.
Tight Slightly midrange scooped 4x12 cabinet. The large diaphragm dynamic micro-
phone gives an in your face presence.
|
Amp Model
|
Amp modeled on
Modern A contemporary version of a classic tube design from one of the most popular
bass amplifier brands. Modern has all the clarity and punch you'd expect from
a modern amplifier, but still with the pleasant three-dimensionality that well de-
signed tube amplifiers offer.
Vintage Got grit? Vintage gives you a dark, dirty, steamy bass sound that adds power
and attitude, and helps making the bass instrument cut through the mix.
|
Cabinet Model
|
Cabinet + microphone modeled on
Dark A classic 8x10 cabinet with a snappy response across the frequency spec-
trum. Captured with a German large membrane dynamic microphone, straight
on axis for a clear sound and a rock solid low end.
Bright A British 4x12 bass cabinet with great midrange presence. The dynamic mi-
crophone is placed off axis for a slightly roomy sound.
Room A 4x10 cabinet, captured with a German classic large membrane condenser
mic at a distance. Roomy with a nice depth and width that caters for a very nat-
ural sound in the mix.