11.3
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
NN-19 SAMPLER479
Below the keyboard, the range, sample name, root key, tuning, level and loop status of the current key zone is dis-
played, each with a corresponding knob.
The light blue strip above the keyboard indicates the currently selected key zone, which is in this case the full range of the keyboard.
The inverted note on the keyboard indicates the “root key” of the sample. All samples contain a root key, tuning and
level setting. If NN-19 is empty, a sample will have its root key placed on the middle “C” (C3) key.
4. If desired, click on the keyboard to change the root key.
! You can audition a loaded sample patch or sample by holding down [Option] (Mac)/[Alt] (Windows) and click-
ing on a key in the Keyboard display. The mouse will take on the shape of a speaker symbol to indicate this.
Loading SoundFont samples
The SoundFont format was developed by E-mu systems in collaboration with Creative Technologies. It is a standard-
ized data format containing wavetable synthesized audio and information on how it should be played back in wavet-
able synthesizers - typically on audio cards. The SoundFont format is an open standard so there is a vast amount of
SoundFont banks and SoundFont compatible banks developed by third parties.
The samples in a SoundFont are stored hierarchically in different categories: User Samples, Instruments, Presets etc.
The NN-19 allows you to browse for and load single SoundFont samples, but
not
entire soundfonts.
1. Click the Browse Sample button, select a SoundFont file (.sf2) in the Browser and open it.
The Browser opens the SoundFont and displays the folders within it.
2. Select the folder “Samples” and open it.
This folder contains a number of samples which can be loaded like any other sample.
3. Select the desired sample and load it by clicking the Load button in the Browser.
The sample is loaded and assigned a key zone range that spans the entire keyboard. You can now make settings
for it as with any other sample.
D Alternatively, drag a sample file from the Browser and drop it on the NN-19 device in the rack.
The panel is dimmed in blue and a Sample Replace symbol appears in the center.
Loading REX slices as samples
A slice is a snippet of sound in a REX File.
1. To import a REX slice, click the Browse Sample button (see above), browse to a REX file and open it as if it
was a folder.
The Browser will then display the slices as files inside that “folder”.










