11.3
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
SUBTRACTOR SYNTHESIZER294
Sync
By clicking this button you activate/deactivate LFO sync. The frequency of the LFO will then be synchronized to the
song tempo, in one of 16 possible time divisions. When sync is activated, the Rate knob (see below) is used for set-
ting the desired time division.
Turn the knob and check the tooltip for an indication of the time division.
Rate
The Rate knob controls the LFO’s frequency. Turn clockwise for a faster modulation rate.
Amount
This parameter determines to what degree the selected parameter destination will be affected by LFO 1. Raising this
knob’s value creates more drastic results.
LFO 2 Parameters
LFO 2 is polyphonic. This means that for every note you play, an
independent
LFO cycle is generated, whereas LFO
1 always modulates the destination parameter using the same “cycle”. This can be used to produce subtle cross-
modulation effects, with several LFO cycles that “beat” against each other. This also enables LFO 2 to produce mod-
ulation rates that vary across the keyboard (see the “Keyboard Tracking” parameter below).
Destination
The available LFO 2 Destinations are as follows:
LFO 2 Delay
This parameter is used to set a delay between when a note is played and when the LFO modulation “kicks in”. For ex-
ample, if Osc 1 & 2 is selected as the destination parameter and Delay was set to a moderate value, the sound would
start out unmodulated, with the vibrato only setting in if you hold the note(s) long enough. Delayed LFO modulation
can be very useful, especially if you are playing musical instrument-like sounds like violin or flute. Naturally it could
also be used to control more extreme modulation effects and still retain the “playability” of the sound.
LFO 2 Keyboard Tracking
If LFO keyboard tracking is activated, the LFO rate will progressively increase the higher up on the keyboard you play.
Raising this value creates more drastic results.
|
Destination
|
Description
Osc 1&2 Selecting this makes LFO 2 modulate the pitch (frequency) of Osc 1 and Osc 2.
Phase Selecting this makes the LFO 2 modulate the Phase Offset parameter for both Osc 1 and 2. Note that
Phase Offset Modulation (Subtraction or Multiplication) must be activated for this to have any effect.
Filter Freq 2 Selecting this makes the LFO 2 modulate the filter frequency for Filter 2.
Amp Selecting this makes the LFO 2 modulate the overall volume., to create tremolo-effects.