11.3
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
GRAIN SAMPLE MANIPULATOR231
Modulation Bus Destination parameters.
Sample Level This affects the Sample Level control of the Playback Algorithm section.
Grain: Length This affects the Grain Length parameter on the Grain Oscillator and Long Grains playback algorithms.
Grain: Rate/Spacing This affects the Grain Spacing parameter on the Grain Oscillator and the Rate parameter on the Long
Grains playback algorithms.
Grain: X-Fade This affects the X-Fade parameter on the Long Grains playback algorithm.
Grain: Pan Spread This affects the Pan Spread parameter on the Grain Oscillator and Long Grains playback algorithms
Grain: Pitch Jitter This affects the Pitch Jitter parameter on the Grain Oscillator and Long Grains playback algorithms
Spectral Grain: Harm Snap This affects the Snap parameter on the Spectral Grains playback algorithm.
Spectral Grain: Harm Filter This affects the Filter parameter on the Spectral Grains playback algorithm.
Spectral Grain: Curve Amount This affects the Amount parameter on the Spectral Grains playback algorithm.
Oscillator: Modulation This affects the Mod parameter on the Oscillator.
Oscillator: Octave This affects the Oct parameter on the Oscillator.
Oscillator: Pitch This affects the (full range) pitch of the Oscillator.
Oscillator: Level This affects the Osc Level parameter of the Oscillator section.
Filter: Freq This affects the Frequency parameter in the Filter section.
Filter: Reso This affects the Resonance parameter in the Filter section.
Amplifier: Gain This affects the Gain parameter of the Amplifier section.
Amplifier: Pan This affects the Pan parameter of the Amplifier section.
Amp Envelope: Attack This affects the Attack time of the Envelope in the Amplifier section.
Amp Envelope: Decay This affects the Decay time of the Envelope in the Amplifier section.
Amp Envelope: Sustain This affects the Sustain level of the Envelope in the Amplifier section.
Amp Envelope: Release This affects the Release time of the Envelope in the Amplifier section.
LFO’s: LFO1/2/3 Delay This affects the LFO1/2/3 Delay parameter.
LFO’s: LFO1/2/3 Rate This affects the LFO1/2/3 Rate parameter.
Envelopes: Env1/2/3/4 Rate This affects the Envelope 1/2/3/4 Rate parameter.
Portamento This affects the Portamento Time parameter.
CV Outputs: CV1/2/3/4 Out This sends out the source modulation value(s) on the CV1/2/3/4 Output on the rear panel.
Reverb: Decay This affects the Decay parameter in the Reverb effect.
Reverb: Amount This affects the Amount parameter in the Reverb effect.
Delay: Time This affects the Time parameter in the Delay effect.
Delay: Feedback This affects the FB parameter in the Delay effect.
Delay: Amount This affects the Amount parameter in the Delay effect.
Delay: Pan This affects the Pan parameter in the Delay effect.
Dist: Drive This affects the Drive parameter in the Dist effect.
Dist: Tone This affects the Tone parameter in the Dist effect.
Dist: Amount This affects the Amount parameter in the Dist effect.
Compressor: Release This affects the Release parameter in the Compressor effect.
Compressor: Ratio This affects the Ratio parameter in the Compressor effect.
Chorus/Flanger/Phaser: Frequency This affects the center frequency of the Chorus/Flanger/Phaser effects.
Chorus/Flanger/Phaser: Amount This affects the Amount parameter of the Chorus/Flanger/Phaser effects.
Par EQ: Frequency This affects the Freq parameter in the EQ effect.
Par EQ: Gain This affects the Gain parameter in the EQ effect.
Note Trig This is mainly intended for use with the Display > Mouse Gate or Display > Y-Position source parame-
ters, e.g. with the Freeze motion mode, to trig/gate the sample without having to play the keyboard. This
way you can play back the Root Key of the sample by just clicking/dragging in the Waveform display.
|
Parameter
|
Description