11.3
Table Of Contents
- Table of Contents
- Introduction
- Overview
- Audio and MIDI Basics
- Using Reason Rack Plugin as an Instrument
- Using Reason Rack Plugin as an Effect
- Working in the Rack
- Routing Audio and CV
- Sounds, Patches and the Browser
- The I/O device
- Kong Drum Designer
- Introduction
- Overview
- About file formats
- Using patches
- Pad Settings
- The Drum and FX section
- The Drum modules
- The Support Generator modules
- The FX modules
- Connections
- Using Kong as an effect device
- Using external effects with Kong
- Redrum Drum Computer
- Introduction
- About file formats
- Using patches
- Programming patterns
- Redrum parameters
- Using Redrum as a sound module
- Connections
- Dr. Octo Rex Loop Player
- Introduction
- About REX file formats
- Loading and saving Dr. Octo Rex patches
- Playing Loops
- Adding Loops
- Playing individual Loop Slices
- Slice handling
- Dr. Octo Rex panel parameters
- Dr. Octo Rex synth parameters
- Connections
- Europa Shapeshifting Synthesizer
- Introduction
- Panel overview
- Signal flow
- Playing and using Europa
- Panel reference
- Sound Engines On/Off and Edit Focus section
- The Oscillator section
- The Modifiers section
- The Spectral Filter
- The Harmonics section
- The Unison section
- The User Wave and Mixer section
- The Filter section
- The Amplifier section
- The Envelopes section
- Envelope 1, 2, 3 and 4
- Preset
- Adding a Sustain stage
- Adding and removing envelope points
- Changing the envelope curve shape
- Looping the envelope
- Editing levels only
- Creating “free form” envelope curves
- Using the Envelope 3 and Envelope 4 curves as Sound Engine waveforms
- Using the Envelope 4 curve as a Spectral Filter curve
- The LFO section
- The Effects section
- The Modulation Bus section
- Connections
- Tips and Tricks
- Grain Sample Manipulator
- Thor Polysonic Synthesizer
- Subtractor Synthesizer
- Malström Synthesizer
- Monotone Bass Synthesizer
- ID8 Instrument Device
- Rytmik Drum Machine
- Radical Piano
- Klang Tuned Percussion
- Pangea World Instruments
- Humana Vocal Ensemble
- NN-XT Sampler
- Introduction
- Panel overview
- Loading complete Patches and REX files
- Using the main panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, crossfaded and velocity switched sounds
- Using Alternate
- Sample parameters
- Group parameters
- Synth parameters
- Connections
- NN-19 Sampler
- Introduction
- General sampling principles
- About audio file formats
- About Key Zones and samples
- Loading a Sample into an empty NN-19
- Loading SoundFont samples
- Loading REX slices as samples
- Creating Key Zones
- Selecting Key Zones
- Setting the Key Zone Range
- Deleting a Key Zone
- About Key zones, assigned and unassigned samples
- Adding sample(s) to a Key Map
- Setting the Root Key
- Removing sample(s) from a Key Map
- Removing all unassigned samples
- Rearranging samples in a Key Map
- Setting Sample Level
- Tuning samples
- Looping Samples
- About the Solo Sample function
- Automap Samples
- NN-19 synth parameters
- Play Parameters
- Connections
- MIDI Out Device
- Quartet Chorus Ensemble
- Sweeper Modulation Effect
- Alligator Triple Filtered Gate
- Pulveriser
- The Echo
- Scream 4 Sound Destruction Unit
- BV512 Vocoder
- Introduction
- Setting up for vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Tips and tricks
- RV7000 Mk II Advanced Reverb
- Neptune Pitch Adjuster and Voice Synth
- Introduction
- Overview and basic concepts
- Setting up for pitch processing
- Using pitch correction
- Using pitch shifting (Transpose)
- Using Formant control
- Using the Voice Synth
- Panel parameters
- Connections
- Softube Amps
- Audiomatic Retro Transformer
- Channel Dynamics Compressor & Gate
- Channel EQ Equalizer
- Master Bus Compressor
- Synchronous Timed Effect Modulator
- The MClass Effects
- Half-Rack Effects
- The Combinator
- Pulsar Dual LFO
- RPG-8 Arpeggiator
- Matrix Pattern Sequencer
- Mixer 14:2
- The Line Mixer 6:2
- Working with Players
- Settings
- The Reason Rack Plugin Settings dialog
- Index
TABLE OF CONTENTS18
Adding devices to a Combi 707
About the Insertion line 707
Creating new devices in a Combi 707
Adding devices using drag and drop 708
Adding devices using copy/paste 709
Adding a Combi to a Combi 709
Combining two Combis 709
Combining devices in a Combi with devices in the rack
709
Combi handling 709
Moving the entire Combi 709
Moving devices within a Combi 710
Moving devices out of a Combi 710
Deleting devices in a Combi 710
Uncombining devices 710
The Controller panel 711
Select backdrop... 712
Using the Programmer 713
Key Mapping instrument devices 714
Setting Velocity Ranges for instrument devices 715
Using Modulation Routing 716
CV Connections 719
Pulsar Dual LFO 721
Introduction 722
Panel parameters 722
LFO 1&2 common parameters 722
LFO 1 specific parameters 724
LFO 2 specific parameters 724
LFO 2 to LFO 1 modulation parameters 724
Envelope 725
KBD Follow 727
Modulation inputs and outputs 728
LFO 1&2 input sections 728
LFO 1&2 output sections 729
Output LFO 1+2 729
Envelope connections 729
Tips and Tricks 730
Patch between LFO 1 and LFO 2 on the back for more
flexibility 730
Using Pulsar as a monophonic synth 730
RPG-8 Arpeggiator 731
Introduction 732
Using the RPG-8 733
Setting up 733
RPG-8 Parameters 736
MIDI-CV Converter parameters 736
Arpeggiator parameters 737
Pattern editor 739
CV connections 740
Tips and tricks 742
Matrix Pattern Sequencer 743
Introduction 744
About the three Output types 744
Programming patterns 745
Pattern basics 745
Tutorial 747
Using Curve Patterns 749
Setting Pattern Length 750
Using Tied Notes 750
Setting Pattern Resolution 751
Pattern Shuffle 751
Pattern Mute 751
Pattern Functions 751
Chaining Patterns 752
Copy MIDI Notes to a sequencer track 752
Example usage 753
Using the Matrix for modulation 753
Programming “Acid Style” lead lines 754
Triggering samples 754
Mixer 14:2 755
Introduction 756
The Channel Strip 756
Channel Strip Controls 757