8.3

Table Of Contents
TABLE OF CONTENTS
16
Overview of the Remote Editor panel 695
The Key Map display 695
Sample parameters 696
Group parameters 696
Synth Parameters 697
About Samples and Zones 697
Selections and Edit Focus 698
Selecting Zones 699
Moving Edit Focus 701
Adjusting parameters 701
Adjusting Synth parameters 701
Adjusting Group parameters 701
Sample parameters 702
Managing Zones and Samples 703
Creating a Key Map 703
About file formats and REX slices 704
Adding more samples to the Key Map 704
Replacing a sample 704
Quick browsing through samples 705
Removing samples 705
Auditioning samples 705
Adding empty Zones 705
Duplicating Zones 706
Removing Zones 706
Rearranging Zones in the List 706
Working with Grouping 706
About Groups 706
Creating a Group 706
Moving a Group to another position in the List 707
Moving a Zone from one Group to another 707
Selecting a Group and/or Zones in a Group 708
The Group Parameters 708
Working with Key Ranges 708
About Key Ranges 708
Setting up Key Ranges 708
About the Lock Root Keys function 712
About the Solo Sample function 713
Sorting Zones by Note 714
Setting Root Notes and Tuning 715
About the Root Key 715
Setting the Root Note manually 715
Tuning samples manually 715
Setting the Root Note and Tuning using pitch detection
716
About changing the pitch of samples 716
Using Automap 716
Layered, crossfaded and velocity
switched sounds 717
Creating layered sounds 717
About velocity ranges 717
Setting velocity range for a Zone 719
About Crossfading Between Zones 719
Setting crossfading for a Zone 721
Using Alternate 721
About the Alternate function 721
Sample parameters 722
Root Note and Tune 722
Sample Start and End 722
Loop Start and End 722
Play Mode 723
Lo Key and Hi Key 723
Lo Vel and Hi Vel 723
Fade In and Fade Out 723
Alt 723
Out 723
Group parameters 724
Key Poly 724
Legato and Retrig 725
LFO 1 Rate 725
Portamento 725
Synth parameters 726
The Modulation controls 726
The Velocity controls 728
The Pitch section 729
The Filter section 730
The Modulation Envelope 731
The Amplitude Envelope 733
The LFOs 734
Connections 737
Sequencer Control 737
Modulation Input 737
Gate Input 737
Audio Output 737