8.1

TABLE OF CONTENTS
21
Setting up for pitch processing 930
Setting up for pitch processing of recorded audio tracks
930
Setting up for pitch processing of “live” audio 931
Using pitch correction 931
Basic settings for pitch correction 932
Using automatic pitch correction 933
Using manual pitch correction 937
Using pitch shifting (Transpose) 938
Using Formant control 939
What are formants? 939
Using the Formant function 940
Using the Voice Synth 940
Panel parameters 941
Level Meter and Bypass/On/Off switch 941
Bend and Vibrato wheels 941
Input signal type 942
MIDI Input 942
Pitch Adjust section 943
Transpose section 944
Formant section 944
The Output Mixer section 944
Connections 945
Sequencer Control 945
CV In 945
CV Out 946
Audio In 946
Voice Synth Out 946
Audio Out 946
Pitch adjustment tips and tricks 947
Using automation for temporary pitch correction 947
Hard pitch correction of a vocal track 948
Pitch correction with changed voice character 948
Octave dub 948
Pitch-shifting drums (non-pitched input) 948
Speech effects 949
About “freezing” pitch adjustments on audio tracks 949
Half-Rack Effects 951
Common effect device features 952
DDL-1 Digital Delay Line 954
CF-101 Chorus/Flanger 955
Spider Audio Merger & Splitter 957
Spider CV Merger & Splitter 959
RV-7 Digital Reverb 963
D-11 Foldback Distortion 965
ECF-42 Envelope Controlled Filter 966
PH-90 Phaser 970
UN-16 Unison 972
COMP-01 Auto Make-up Gain
Compressor 973
PEQ-2 Two Band Parametric EQ 974
Matrix Pattern Sequencer 975
Introduction 976
About the three Output types 976
Programming patterns 977
Pattern basics 977
Tutorial 980
Using Curve Patterns 982
Setting Pattern Length 983
Using Tied Notes 983
Setting Pattern Resolution 984
Pattern Shuffle 984
Pattern Mute 984
Pattern Functions 985
Chaining Patterns 985
Converting Pattern data to notes in the main sequencer
986