8.0

TABLE OF CONTENTS
21
Setting up for pitch processing 928
Setting up for pitch processing of recorded audio tracks
928
Setting up for pitch processing of “live” audio 929
Using pitch correction 929
Basic settings for pitch correction 930
Using automatic pitch correction 931
Using manual pitch correction 935
Using pitch shifting (Transpose) 936
Using Formant control 937
What are formants? 937
Using the Formant function 938
Using the Voice Synth 938
Panel parameters 939
Level Meter and Bypass/On/Off switch 939
Bend and Vibrato wheels 939
Input signal type 940
MIDI Input 940
Pitch Adjust section 941
Transpose section 942
Formant section 942
The Output Mixer section 942
Connections 943
Sequencer Control 943
CV In 943
CV Out 944
Audio In 944
Voice Synth Out 944
Audio Out 944
Pitch adjustment tips and tricks 945
Using automation for temporary pitch correction 945
Hard pitch correction of a vocal track 946
Pitch correction with changed voice character 946
Octave dub 946
Pitch-shifting drums (non-pitched input) 946
Speech effects 947
About “freezing” pitch adjustments on audio tracks 947
Half-Rack Effects 949
Common effect device features 950
DDL-1 Digital Delay Line 952
CF-101 Chorus/Flanger 953
Spider Audio Merger & Splitter 955
Spider CV Merger & Splitter 957
RV-7 Digital Reverb 961
D-11 Foldback Distortion 963
ECF-42 Envelope Controlled Filter 964
PH-90 Phaser 968
UN-16 Unison 970
COMP-01 Auto Make-up Gain
Compressor 971
PEQ-2 Two Band Parametric EQ 972
Matrix Pattern Sequencer 973
Introduction 974
About the three Output types 974
Programming patterns 975
Pattern basics 975
Tutorial 978
Using Curve Patterns 980
Setting Pattern Length 981
Using Tied Notes 981
Setting Pattern Resolution 982
Pattern Shuffle 982
Pattern Mute 982
Pattern Functions 983
Chaining Patterns 983
Converting Pattern data to notes in the main sequencer
984
Example usage 985
Using the Matrix for modulation 985
Programming “Acid Style” lead lines 986
Triggering samples 986