10.2

Table Of Contents
TABLE OF CONTENTS
16
Envelope section 702
LFO section 703
Pitch Bend Range 704
Setting number of voices - polyphony 705
Audio Quality settings 705
Connections 705
Modulation Inputs 706
Modulation Outputs 706
Gate Inputs 706
Gate Output 706
Slice Outputs 706
Main Outputs 706
Europa Shapeshifting
Synthesizer 707
Introduction 708
Panel overview 709
Signal flow 710
Playing and using Europa 711
Loading and saving patches 711
Global output controls 711
Global performance and “play” controls 711
Panel reference 713
Sound Engines On/Off and Edit Focus section 713
The Oscillator section 713
The Modifiers section 716
The Spectral Filter 718
The Harmonics section 720
The Unison section 722
The User Wave and Mixer section 723
The Filter section 724
The Amplifier section 726
The Envelopes section 728
The LFO section 732
The Effects section 733
The Modulation Bus section 736
Connections 740
Sequencer Control inputs 740
CV Modulation inputs and outputs 740
Audio Output 740
Tips and Tricks 741
Creating an individual “pre amp envelope” for a Sound
Engine 741
Recording display movements in the sequencer 742
Grain Sample Manipulator 743
Introduction 744
A few words about granular synthesis 744
Panel overview 746
Playing and using Grain 747
Loading and saving patches 747
Global performance and “play” controls 747
Global output controls 748
Panel reference 749
The Sample section 749
The Playback Algorithms section 751
The Oscillator section 756
The Filter section 757
The Amplifier section 758
The Envelopes section 759
The LFO section 763
The Effects section 763
The Modulation Bus section 767
Connections 771
Sequencer Control inputs 771
CV Modulation inputs and outputs 771
Audio Output 771
Tips and Tricks 772
Automating sample playback parameters from the
sequencer 772
Thor Polysonic Synthesizer
775
Introduction 776
Loading and Saving Patches 776
Thor elements 777