User's Manual
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The FireWire streaming on your StudioLive is continuously bidirectional. This means that the 
StudioLive  is  always  sending  signals  from  the  16  direct  FireWire  sends  on  each  input  channel, 
as well as from the auxiliary inputs and buses assigned to the second bank of 16 FireWire sends. 
At the same time, it is receiving signals back from the 18 FireWire returns. Because the FireWire 
returns always come back to their respective channels on the StudioLive, you can quickly insert a 
plug-in from your recording application into any channel strip and monitor it in real time.
In this example, we  will insert a  Mono Delay 
plug-in from Apple’s Logic™ 8 application onto 
Channel  16  of  the StudioLive.  To  begin,  create 
a mono audio track. Assign its input to Channel 
16 and its output to Output 16. (Note: because 
Logic does not offer mono output buses, in this case we are routing this stream to channels 15-16 
and panning the channel all the way to the right so that it will only be sent to output 16. Several 
other applications use this type of bus routing, as well. Please consult your software’s user manual 
for specic instructions.)
Once  you  have  the  routing  set  up  in  Logic, 
record-arm  the  track  and  insert  the  desired 
plug-in. Press the FireWire Return Input button 
on  your  StudioLive.  You  can  now  monitor  your 
analog  signal  with  your  inserted  effect  as  you 
record.
A Quick Note on Printing Fat Channel Dynamics and EQ:
Using the Fat Channel dynamics processing and EQ during post-production is obviously desirable. 
The question is how to print these changes to your recording. An easy way to do this is through 
the subgroup FireWire returns. Begin by routing a playback stream to an individual channel on the 
StudioLive from within your recording application. With the FireWire return selected as the signal 
source for that channel on your StudioLive, press its Select button and assign it to a subgroup bus, 
ensuring that only that channel is routed to the subgroup. You can then process the playback stream 
through  the Fat  Channel  for both the individual  channel  and for  the subgroup.  In  your  recording 
software, assign the subgroup as an input source for a new track and record it. The unprocessed 
track can then either be removed from the session or used in tandem with the processed track as 
an effect. The exible routing and mixing capability of the StudioLive provides you with an arsenal 
of tools previously unavailable to “in the box” mixes. Don’t be afraid to test the limits of modern 
mixing techniques and to create a few of your own.
Note: The Dig Out button does not function when you have a FireWire Return selected as an input source. If Dig Out is enabled, any 
Aux,  Subgroup,  and  the  Main  bus  to  which  it  is  routed  will  not 
receive the post Fat Channel signal. The unprocessed signal will 
still be routed to these buses, as well as to the FireWire bus, but 
the Fat Channel dynamics and EQ will not. If you wish to add Fat 
Channel dynamics to a FireWire return, you must disable Dig Out.
3   Recording
3.3    Using Your StudioLive as an Audio Interface
3.3.2   Using Plug-Ins Effects as Inserts










