Pearl Midtown Kit
86
| OCTOBER 2016 WWW.MUSICRADAR.COM/RHYTHM
GEAR REVIEW
A
mong a plethora of new gear
released for 2016, Pearl has
brought us a brand new
Eliminator pedal, a second
Dennis Chambers signature snare and the
revamped Session Studio Classic (all reviewed
by yours truly). The latest recent addition that
we’ve managed to get our mitts on is Pearl’s
second contribution to the mini-kit market
after the Rhythm Traveler, the Pearl Midtown.
Build
Unlike Pearl’s Rhythm Traveler (which had
wider but extremely shallow dimensions),
the Midtown has been developed as more of
a bop-style kit with small diameter drums
but more regular depths. Dubbed “the big kit
with the small footprint”, it claims to offer a
sound to rival that of a normal sized kit
despite its compact nature.
True to the style of these bop-cum-jungle
kits is the obligatory 16"x14" bass drum. The
drum comes supplied with good quality spurs
and a riser to allow the drum enough
clearance for positioning the bass drum
pedal. Unlike the chrome of the other
hardware (included is a single tom mount for
the drilled bass drum and legs for the fl oor
tom), the long pole and triangular base of the
riser piece are fi nished in black. The bottom
of the bass drum features a drilled hole
(identical to the one on the top which
accommodates the tom arm) that allows the
base to be held in place using a standard
wing-nut. The batter-side hoop also has a
deep, semi-circular cut-out to allow the beater
stem plenty of room to manoeuvre, ensuring
a square contact to the head.
The rest of the four-piece shell pack
comprises a 10"x7" rack tom, complete with
Pearl’s OptiLoc suspension system for added
resonance, a 13"x12" fl oor tom and a
£407 Pearl re-enters the mini-kit world with
the release of the Midtown
PEARL
MIDTOWN KIT
WORDS: TOM BRADLEY
matching 13"x5½" snare drum which plays
host to Pearl’s proprietary 16-strand snare
wires and throw-off/butt plate. This is
currently the only confi guration available for
the Midtown kit, with no foreseeable plans for
any more. A compact two-piece carry-case
set is available for the kit but unfortunately
only in the US right now. We should see that
make an appearance over here at some point.
The Chinese-built shells are constructed
from 6-ply, 7.5mm poplar and come in a
choice of two sparkle wrap fi nishes. As you
can see from the photos, our review kit is a
rather fetching Black Cherry Glitter, with Black
Gold Sparkle being the other option. Each
drum is supplied with 1.6mm steel triple-
fl anged hoops except for the bass drum,
which is treated to matching wood hoops.
Chinese made Remo UT heads are supplied
with the kit; clear Ambassador equivalents for
the toms (top and bottom), with a coated for
the snare batter. The kick drum sports a clear
Powerstroke batter and a white coated head
complete with a black Pearl logo on the front.
With the Midtown coming in at the lower
end of the spectrum in terms of price, it is
perhaps expected that there might be a few
minor issues in the build department.
Referring specifi cally to the quite visible
overlaps of not only the sparkle wrap but,
more obviously, the inside of the shells and
the wood hoops of the bass drum. On the
fl ip-side though, this kit surprises us with little
touches like rubber gaskets on the bass drum
claws, sturdy, locking telescopic bass drum
spurs and the aforementioned OptiLoc
suspension system for the un-drilled rack
tom. Chrome memory locks are also provided
for the tom arm and bass drum lift. They are
also interlocking which not only allows you to
fi nd the correct height but also ensures that
you also get exactly the same angle as before.
EACH DRUM IS SUPPLIED WITH 1.6MM
STEEL TRIPLE-FLANGED HOOPS EXCEPT
FOR THE BASS DRUM, WHICH IS
TREATED TO MATCHING WOOD HOOPS
BASS DRUM LIFT
The 16" bass drum features a
black riser with a triangular base
to ensure the correct height for a
bass drum pedal
RHY260.gear_pearl.indd 86 9/7/16 6:14 PM