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when editing a Print section in the Workspace.
2. Choose a Binding style and, if applicable, the number of holes. For an explanation of all
Binding and Hole making options, see "Finishing options" on page666.
To set the binding style of a Print section, see "Setting the binding style for a Print section" on
page142.
Overriding binding styles in a job creation preset
A Job Creation Preset can override the binding styles set for the Print sections and for the Print
context as a whole. To bind output in another way than defined in the template’s settings:
1. Create a Job Creation Preset that overrides the settings of one or more sections: select
File > Presets and see "Job Creation Presets Wizard" on page659 for more details.
2. Select that Job Creation Preset in the Print wizard; see "Generating Print output" on
page949.
Setting the bleed
The bleed is the printable space around a page. It can be used on some printers to ensure that
no unprinted edges occur in the final trimmed document. The bleed is one of the settings for a
section. See "Page settings: size, margins and bleed" on page146.
Overprint and black overprint
Normally, when two colors overlap in Print output, the underlying color is not printed. It is
"knocked out", for two reasons: firstly, the underlying color may affect the top color, especially if
the top color is lighter than the underlying color. Secondly, not printing an underlying color,
which is not visible anyway, will save ink or toner.
However, there are cases when underlying colors should not be knocked out:
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If the top color is a special ink or toner, such as varnish or UV, it should go over any
other colors, as it is meant to be transparent and go over other content. In Connect you
may enable overprint when you define a spot color; see "Defining colors, spot colors and
tints" on page319.
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If small black text is printed over a colored area, mis-registration may cause white areas
to be visible around the text if the underlying color is knocked out.
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