User Manual
Table Of Contents
- Title Page
 - Disclaimer
 - Contact
 - Table of Contents
 - Welcome to KOMPLETE KONTROL
 - The KOMPLETE KONTROL Workflows
 - Setting up KOMPLETE KONTROL
 - Software Overview
 - Keyboard Overview
 - Global Controls and Preferences
 - Browsing the Library
- Browser Basics
 - Opening the Browser
 - Loading Preset Files
 - Choosing Between Factory Content and User Content
 - Filtering Preset Files by Product
 - Filtering Preset Files by Bank
 - Resetting the Product Selection
 - Types and Modes Tag Filters
 - Working with Favorites
 - Performing a Text Search
 - Displaying Preset File Information
 - Auditioning your Preset Files
 
 - Working with Effects
 - Controlling Instrument and Effect Parameters
 - Smart Play – Playing and Editing Scales and Chords
 - Smart Play – Playing and Editing Arpeggiator Sequences
 - Managing the Library
 - MIDI Communication
 - Host Integration
 - Index
 
white and black keys (each representing a semitone) within an octave. By playing only the keys
belonging to some scale, you are certain to stay “in key” within that scale. Important to note
though, is that scales are not made up by absolute note values, but rather consist of relative
changes  in  pitch—or  steps  along  the  scale.  For  example,  the  major  scale  consists  of
“whole step–whole step–half step–whole step–whole step–whole step–half step,” which means
that you can transpose the scale up and down a keyboard; choose any root note you want and
play the scale from there.
Chords
Polyphonic Instruments let you play multiple notes simultaneously—in other words chords. As
an example, let’s see how to build up a chord by selecting individual notes from a scale and
playing them simultaneously. In this case, we’ll use the C major scale. As we saw above, the
major  scale  starts  with  two  whole  steps,  followed  by  a  half  step,  and  then  three  more
whole steps until it ends with another half step. We can use this knowledge to play a C major
chord by pressing the root note C, then pressing another key two whole steps above C (the E
note)  and  then  yet  another  key  a  half  step  and  a  whole  step  further  up  the  keyboard  (the  G
note) all simultaneously. This C major chord corresponds to a root note (C), a third (E) and a
fifth  (G),  which  is  the  note  interval  of  a  major  triad.  By  playing  a  triad  chord  you  have  just
learned  the  concept  of  musical  harmony,  where  notes  are  stacked  together  into  chords  and
played simultaneously.
Arpeggiator Sequences
In above section you read about the combination of notes and playing them together as chords.
You can also play them like diachronic note sequences, quite like playing the harp—or arpeg-
giator sequence. If chords have to do with adding harmony to a note, then arpeggiator sequen-
ces add time and rhythm. Instead of playing a chord consisting of three notes simultaneously,
you  can  play  the  same  three  notes  as  a  sequence  in  a  given  order  (e.g.,  top-down)  and  at  a
certain rate (e.g., 1/16 notes). This is also a way for monophonic Instruments to play “chords.”
Smart Play – Playing and Editing Scales and Chords
A Note about Music Theory
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