NI

L
ast year’s Maschine
Mk3, with its added
interface and improved
screens, did an
impressive job of
drawing user focus away
from the computer,
making it easier to select, edit and
play sounds without referencing plugin
UI. By drastically downsizing the
hardware screen, this Maschine Mikro
update actually pushes things in the
opposite direction; minimising the
amount of visual information that’s
provided by the controller in favour of
more space for hands-on control.
While increased reliance on a
computer screen might seem
counter-intuitive, it actually does
make a lot of sense. While previous
Mikros did offer more in the way of
browser and navigation feedback,
their halfway-house screens were
never really suffi cient to draw
emphasis away from the more
in-depth experience offered by the
main plugin interface. By accepting
that you’re more than likely going to
turn to the computer for deeper
browsing and editing duties, it allows
the controller to focus purely on the
duties it’s best at – playing sounds
and creating patterns.
That being said, the small screen
found on the Mikro Mk3 does a fi ne
job of displaying essential information
when it’s needed – tempo, swing and
basic parameter settings are
displayed, but navigation is a bit
cumbersome when compared to its
for sketching beats and grooves, the
Mikro remains hard to beat. At less
than £200, it’s NI’s cheapest
Maschine product to date too, though
it’s worth noting that the included
Factory Library is considerably
smaller than that included with other
Maschine products (or, for that
matter, previous iterations of the
Mikro). That being said, the included
sounds remain high quality, and with
full versions of Massive, Monark and
Prism thrown in, it’s still hard to
argue with the value.
bigger sibling. It’s fi ne for browsing
sounds too, if you fi nd that you’re
happy to make use of the ‘star’
system and mostly work from a
prepared list of favourite presets.
The rest of the design borrows
heavily from its larger sibling – no bad
thing. The revamped pads look and
feel great, and the adjusted setup of
navigational buttons makes
sequencing and arranging far more
streamlined. The Mikro gains its
counterpart’s Smart Strip too, which
once again can be used for
performance effects and manipulating
sounds. It’s a particularly great
addition here, bringing an element of
expressiveness to the controller which
makes up for the lack of parameter/
macro rotaries. The same goes for the
Variation Engine and Lock Mode.
As with previous iterations, that
lack of hands-on parameter or macro
control is the Mikro’s weak spot. To be
fair, this is more of a design choice
than an omission; the Mikro is aimed
at those who value simple MPC-style
nger-drumming more than complex
sound design and parameter
automation. For a fast, hands-on tool
THE PROS & CONS
+
NI’s most affordable
Maschine ever
Updated pads look
and feel great
Smart Strip adds a
much needed
expressive tool
-
Lacking in
macro/parameter
control rotaries
Factory library is
drastically smaller
than that of other
Maschines
FM VERDICT
8.8
L acks the expressiveness of
the full-sized Maschine, but
as a fast, fun tool for getting
beats down, it’s hard to
argue at this price
L
ast year’s Maschine
THE PROS & CONS
NI’s most affordable
Maschine ever
Updated pads look
and feel great
Smart Strip adds a
much needed
Lacking in
macro/parameter
control rotaries
Factory library is
A fast, hands-on
tool for sketching beats
and grooves
Native Instruments Maschine Mikro Mk3 | Reviews
89
FMU338.rev_NI_mikro.indd 89 10/29/18 11:30 AM