User Manual
Table Of Contents
- 1 Introduction
- 2 Basic Concepts
- 3 Browser
- 4 Creating Sounds
- 5 Creating Groups
- 6 Working with Patterns (Hardware)
- 7 Working with Patterns (Software)
- 7.1 The Pattern Editor
- 7.2 Editing Patterns
- 7.2.1 Mouse actions in the Pattern Editor
- 7.2.2 The Zoom Tool
- 7.2.3 Compare/Split
- 7.2.4 The Piano Roll/Keyboard
- 7.2.5 Recording and editing automation
- 7.2.6 Adding a Modulator
- 7.2.7 Step Grid, Pattern Length Grid and Quantization
- 7.2.8 Rendering Audio from Patterns using Drag & Drop
- 7.2.9 Rendering MIDI from Patterns using Drag & Drop
- 8 The MASCHINE Effects (FX)
- 9 Using FX
- 10 Creating a Song using Scenes
- 11 Sampling & Sample Mapping
- 12 The Master Section
- 13 Exporting Audio
- 14 Appendix A: MASCHINE Controller Quick Reference Chart
- 14.1 Basic Sequencer Controls
- 14.2 Loading and Saving
- 14.3 Scene Operations
- 14.4 Pattern Operations
- 14.5 Basic Editing
- 14.6 Group Operations
- 14.7 Sound Operations
- 14.8 Effects
- 14.9 Muting
- 14.10 Soloing
- 14.11 Automation
- 14.12 Basic Sampling
- 14.13 Secondary Pad Functions
- 14.14 Navigation Shortcuts on the MASCHINE Controller
- 14.15 Other Shortcuts on the MASCHINE Controller
- 15 Appendix B: Keyboard Shortcuts
- 16 Appendix C: Tips for playing live
- 17 Index
MASCHINE 1.5 Reference Manual – 65
as a reverb in this slot that can be made available to other Sounds in your Project. For
more info on how to use this mode, please refer to chapter 9.8, “Creating a Send Effect.”
•
MIDI Out: allows you to use a Sound to send MIDI notes to your host application or your
external MIDI equipment. For more info on the MIDI Out mode, refer to chapter 4.10.3,
“MIDI Output from Sounds.”
In the following section, we will concentrate on the Sampler mode, which is probably the one
you will use the most.
Tip: you don’t really ever need to explicitly choose Sampler; this will be done for you automati-
cally any time you load a sound into the slot.
4.2 The Sampler Parameters in the Sound’s Source Tab (SRC)
The Sampler Parameters offer various ways to further shape each of your Sounds individually.
You can tune, change basic dynamics and apply effects as well as different modulation op-
tions. Not only arethese parameters automatable but they were designed to be tinkered with!
See chapter 6.1.8, ”Recording automation.” for the Hardware and chapter 7.2.5, ”Recording
and editing automation,” for the Software.
The Sampler Parameters are organized in 6 pages:
• Page 1: Voice Settings, Pitchbend and Engine Settings
• Page 2: Pitch/Gate and Amplitude Envelope
• Page 3: FX and Filter Settings
• Page 4: Modulation Envelope and Destination
• Page 5: LFO and Destination
• Page 6: Velocity Destination and Modwheel Destination