User Manual
Table Of Contents
- Title Page
- Disclaimer
- Contact
- Table of Contents
- Welcome to MASCHINE
- Basic Concepts
- Important Names and Concepts
- Adjusting the MASCHINE User Interface
- Common Operations
- Pinning a Mode on the Controller
- Pinning a Mode on the Controller
- Undo/Redo
- List Overlay for Selectors
- Zoom and Scroll Overlays
- Focusing on a Group or a Sound
- Switching Between the Master, Group, and Sound Level
- Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area
- Using Two or More Hardware Controllers
- Touch Auto-Write Option
- Native Kontrol Standard
- Stand-Alone and Plug-in Mode
- Preferences
- Integrating MASCHINE into a MIDI Setup
- Syncing MASCHINE using Ableton Link
- Using Footswitches with the MASCHINE Controller
- Browser
- Browser Basics
- Searching and Loading Files from the Library
- Overview of the LIBRARY Pane
- Selecting or Loading a Product and Selecting a Bank from the Browser
- Selecting a Product Category, a Product, a Bank, and a Sub-Bank
- Selecting a File Type
- Choosing Between Factory and User Content
- Selecting Type and Mode Tags
- List and Tag Overlays in the Browser
- Performing a Text Search
- Loading a File from the Result List
- Additional Browsing Tools
- Using Favorites in the Browser
- Editing the Files’ Tags and Properties
- Loading and Importing Files from Your File System
- Locating Missing Samples
- Using Quick Browse
- Managing Sounds, Groups, and Your Project
- Playing on the Controller
- Working with Plug-ins
- Plug-in Overview
- The Sampler Plug-in
- Using Native Instruments and External Plug-ins
- Using the Audio Plug-in
- Using the Drumsynths
- Using the Bass Synth
- Working with Patterns
- Pattern Basics
- Recording Patterns in Real Time
- Recording Patterns with the Step Sequencer
- Editing Events
- Recording and Editing Modulation
- Creating MIDI Tracks from Scratch in MASCHINE
- Managing Patterns
- Importing/Exporting Audio and MIDI to/from Patterns
- Audio Routing, Remote Control, and Macro Controls
- Audio Routing in MASCHINE
- Using MIDI Control and Host Automation
- Creating Custom Sets of Parameters with the Macro Controls
- Controlling Your Mix
- Using Effects
- Effect Reference
- Working with the Arranger
- Arranger Basics
- Using Ideas View
- Using Arranger View
- Section Management Overview
- Creating Sections
- Assigning a Scene to a Section
- Selecting Sections and Section Banks
- Reorganizing Sections
- Adjusting the Length of a Section
- Assigning and Removing Patterns
- Duplicating Sections
- Removing Sections
- Renaming Scenes
- Clearing Sections
- Creating and Deleting Section Banks
- Enabling Auto Length
- Looping
- Playing with Sections
- Triggering Sections or Scenes via MIDI
- The Arrange Grid
- Quick Grid
- Sampling and Sample Mapping
- Appendix: Tips for Playing Live
- Troubleshooting
- Glossary
- Index
17.1.4 Name and Color Your Groups, Patterns, Sounds and Scenes
Naming and coloring your Groups, Patterns, Sounds and Scenes gives you a better overview of
exactly what you are doing. The colors you select are mirrored on the controller. This is espe-
cially helpful if you focus on playing with the MASCHINE controller. It might not be something
that is very interesting, but it certainly pays off in a hectic live situation.
17.1.5 Consider Using a Limiter on Your Master
This sounds rather conservative, but if you want to avoid digital distortion caused by an over-
load of your audio interface, this is a useful safety measure. However, you might experience a
somewhat squashed and dull sound if you overuse the Limiter by feeding a lot of loud signals
to it. Try it out and see what works best for you! See ↑14.1.4, Limiter for more information.
17.1.6 Hook Up Your Other Gear and Sync It with MIDI Clock
If you have other gear such as a drum machine, a synthesizer or another sequencer that is able
to send MIDI Clock, hook it up to the controller’s MIDI IN socket and activate Sync to External
MIDI Clock from MASCHINE’s File menu so that they can play together in sync. MASCHINE
can also receive MIDI Clock via an internal MIDI port, so you can synchronize it with another
software. You can also let MASCHINE send the MIDI Clock signal by activating Send MIDI
Clock from the Preferences. Please refer to section ↑2.7, Integrating MASCHINE into a MIDI
Setup for more information on these features. Make sure you also setup the Sync Offset Slave
value correctly (see chapter ↑2.6.1, Preferences – General Page) so that all your devices and
MASCHINE are tightly synchronized.
17.1.7 Improvise
It is nice if a live set is working out exactly the way you planned it, but sometimes, this can get
boring for you as well as for the audience. Something unexpected or even plain mistakes can
be the key for inspiring tracks and performances as well as just jamming around with your
Sounds and Samples!
Appendix: Tips for Playing Live
Preparations
MASCHINE STUDIO - Manual - 906