User Manual
Table Of Contents
- Title Page
- Disclaimer
- Contact
- Table of Contents
- 1 Introduction
- 2 Basic Concepts
- 3 Browser
- 4 Sound Slots
- 5 Creating Groups
- 6 Working with Patterns (Hardware)
- 6.1 Creating Patterns
- 6.1.1 Pattern Mode
- 6.1.2 Pad Mode
- 6.1.3 Pad Link
- 6.1.4 Releasing a Pad from a Pad Link Group
- 6.1.5 Recording the Pads
- 6.1.6 The Metronome
- 6.1.7 Using the Step Sequencer
- 6.1.8 Using Note Repeat
- 6.1.9 Using the Piano Roll/Keyboard
- 6.1.10 Recording Automation
- 6.1.11 Recording Automation in the Step Sequencer
- 6.1.12 Step Grid, Pattern Length Grid and Quantization
- 6.2 Editing Patterns
- 6.1 Creating Patterns
- 7 Working with Patterns (Software)
- 7.1 The Pattern Editor
- 7.2 Editing Patterns
- 7.2.1 Mouse Actions in the Pattern Editor
- 7.2.2 The Zoom Tool
- 7.2.3 Compare/Split
- 7.2.4 The Piano Roll / Keyboard
- 7.2.5 Recording and Editing Automation
- 7.2.6 Adding a Modulator
- 7.2.7 Step Grid, Pattern Length Grid and Quantization
- 7.2.8 Pad Link
- 7.2.9 Releasing a Pad from a Pad Link Group
- 7.2.10 Setting up a Pad as Master or Slave in a Pad Link Group
- 7.2.11 Rendering Audio from Patterns using Drag and Drop
- 7.2.12 Rendering MIDI from Patterns using Drag and Drop
- 8 The Effects Overview
- 9 Using FX
- 9.1 Applying Effects to a Sound
- 9.2 Applying Effects to a Group
- 9.3 Applying Effects to the Master
- 9.4 Bypassing Effects
- 9.5 Automating Effects and Sampler Parameters
- 9.6 Applying FX to an External Instrument
- 9.7 Recording FX Automation
- 9.8 Saving FX Presets
- 9.9 Creating a Send Effect
- 9.10 Creating a Multi Effect
- 10 Creating a Song using Scenes
- 11 Sampling and Sample Mapping
- 12 The Master Section
- 13 Exporting Audio
- 14 Appendix: Tips for playing Live
- Index
Modulation Envelope
The Modulation Envelope offers an envelope that shapes the modulation you apply to your
Sound. Its parameters are matched to those of the Amplitude Envelope on page 2, so that you
have either an ADSR (Attack, Decay, Sustain, Release) envelope or an AHD (Attack, Hold, De-
cay) envelope to control your modulations. If you choose Oneshot mode, only the AHD enve-
lope (pictured) will be available for modulation.
Modulation Envelope Controls
Attack The time it takes for the envelope to reach its maximum level.
Hold How long the envelope will stay at its maximum level.
Decay With Decay you adjust how fast the envelope drops to the sustain level in
ADSR mode; in AHD-mode it is used to adjust how fast the envelope fades
out.
Sustain The envelope level that will be maintained as long as the note is played.
Release The time for the sustain level to return to zero after the note has ended.
Destination
This is where you define modulation targets for the Modulation Envelope. Available targets are:
▪ Pitch, located on Sampler Parameter page 2
▪ Cutoff, located on Sampler Parameter page 3
▪ Drive, located on Sampler Parameter page 3
▪ Pan, located on Output Parameter page 1
4.2.5 Page 5: LFO and Destination
Sampler LFO on the hardware.
Sound Slots
The Sampler Parameters in Module 1
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