User Manual
Table Of Contents
- Title Page
- Disclaimer
- Contact
- Table of Contents
- 1 Introduction
- 2 Basic Concepts
- 3 Browser
- 4 Sound Slots
- 5 Creating Groups
- 6 Working with Patterns (Hardware)
- 6.1 Creating Patterns
- 6.1.1 Pattern Mode
- 6.1.2 Pad Mode
- 6.1.3 Pad Link
- 6.1.4 Releasing a Pad from a Pad Link Group
- 6.1.5 Recording the Pads
- 6.1.6 The Metronome
- 6.1.7 Using the Step Sequencer
- 6.1.8 Using Note Repeat
- 6.1.9 Using the Piano Roll/Keyboard
- 6.1.10 Recording Automation
- 6.1.11 Recording Automation in the Step Sequencer
- 6.1.12 Step Grid, Pattern Length Grid and Quantization
- 6.2 Editing Patterns
- 6.1 Creating Patterns
- 7 Working with Patterns (Software)
- 7.1 The Pattern Editor
- 7.2 Editing Patterns
- 7.2.1 Mouse Actions in the Pattern Editor
- 7.2.2 The Zoom Tool
- 7.2.3 Compare/Split
- 7.2.4 The Piano Roll / Keyboard
- 7.2.5 Recording and Editing Automation
- 7.2.6 Adding a Modulator
- 7.2.7 Step Grid, Pattern Length Grid and Quantization
- 7.2.8 Pad Link
- 7.2.9 Releasing a Pad from a Pad Link Group
- 7.2.10 Setting up a Pad as Master or Slave in a Pad Link Group
- 7.2.11 Rendering Audio from Patterns using Drag and Drop
- 7.2.12 Rendering MIDI from Patterns using Drag and Drop
- 8 The Effects Overview
- 9 Using FX
- 9.1 Applying Effects to a Sound
- 9.2 Applying Effects to a Group
- 9.3 Applying Effects to the Master
- 9.4 Bypassing Effects
- 9.5 Automating Effects and Sampler Parameters
- 9.6 Applying FX to an External Instrument
- 9.7 Recording FX Automation
- 9.8 Saving FX Presets
- 9.9 Creating a Send Effect
- 9.10 Creating a Multi Effect
- 10 Creating a Song using Scenes
- 11 Sampling and Sample Mapping
- 12 The Master Section
- 13 Exporting Audio
- 14 Appendix: Tips for playing Live
- Index
The Filter on the software.
Screen Element Description
Type
Mode Here you can select between four different filter-types: Notch, HP (high-
pass), BP (bandpass), and LP (lowpass). Depending on the filter type, the
following parameters vary as indicated.
Freq
Cut Cut stands for Cutoff Frequency and is available with all filter-types.
Res Res controls the amount of Resonance - the amount of amplification
around the cutoff frequency. It is not available with filter-type Notch.
Modulation
Amount This defines how much the Filter gets modulated by the modulation
source. This can be applied to increase or decrease the cutoff by the mod-
ulation source.
Source Here you can select between three different modulation sources: Envelope,
LFO Sync and LFO. Depending on your choice for the modulation source,
the following parameters appear to the right:
Envelope Decay With Decay you adjust how fast the envelope fades out.
Smooth Smooths the shape of the envelope.
Shape Change the shape of the envelope here.
LFO Sync Speed Defines the speed of the modulation in musical values from 16/1 (once ev-
ery 16 bars) up to 1/32 note.
Shape Change the shape of the LFO waveform here.
Phase Adjusts the start phase of the LFO.
The Effects Overview
Filtering
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