User Manual
Table Of Contents
- Title Page
- Disclaimer
- Contact
- Table of Contents
- 1 Introduction
- 2 Basic Concepts
- 3 Browser
- 4 Sound Slots
- 5 Creating Groups
- 6 Working with Patterns (Hardware)
- 6.1 Creating Patterns
- 6.1.1 Pattern Mode
- 6.1.2 Pad Mode
- 6.1.3 Pad Link
- 6.1.4 Releasing a Pad from a Pad Link Group
- 6.1.5 Recording the Pads
- 6.1.6 The Metronome
- 6.1.7 Using the Step Sequencer
- 6.1.8 Using Note Repeat
- 6.1.9 Using the Piano Roll/Keyboard
- 6.1.10 Recording Automation
- 6.1.11 Recording Automation in the Step Sequencer
- 6.1.12 Step Grid, Pattern Length Grid and Quantization
- 6.2 Editing Patterns
- 6.1 Creating Patterns
- 7 Working with Patterns (Software)
- 7.1 The Pattern Editor
- 7.2 Editing Patterns
- 7.2.1 Mouse Actions in the Pattern Editor
- 7.2.2 The Zoom Tool
- 7.2.3 Compare/Split
- 7.2.4 The Piano Roll / Keyboard
- 7.2.5 Recording and Editing Automation
- 7.2.6 Adding a Modulator
- 7.2.7 Step Grid, Pattern Length Grid and Quantization
- 7.2.8 Pad Link
- 7.2.9 Releasing a Pad from a Pad Link Group
- 7.2.10 Setting up a Pad as Master or Slave in a Pad Link Group
- 7.2.11 Rendering Audio from Patterns using Drag and Drop
- 7.2.12 Rendering MIDI from Patterns using Drag and Drop
- 8 The Effects Overview
- 9 Using FX
- 9.1 Applying Effects to a Sound
- 9.2 Applying Effects to a Group
- 9.3 Applying Effects to the Master
- 9.4 Bypassing Effects
- 9.5 Automating Effects and Sampler Parameters
- 9.6 Applying FX to an External Instrument
- 9.7 Recording FX Automation
- 9.8 Saving FX Presets
- 9.9 Creating a Send Effect
- 9.10 Creating a Multi Effect
- 10 Creating a Song using Scenes
- 11 Sampling and Sample Mapping
- 12 The Master Section
- 13 Exporting Audio
- 14 Appendix: Tips for playing Live
- Index
Screen Elements Description
Depth
Thresh This value determines the threshold at which the Compressor starts to
work.
Amount The amount of the Compressor effect, sometimes called Ratio in typical
applications.
Knee This parameter defines how the Compressor starts to work: with a low set-
ting, the transition into compression is soft, whereas with a high setting,
the Compressor abruptly starts to work once the threshold is reached.
Time
Attack Use Attack to adjust how fast the Compressor reacts on the incoming sig-
nal: the more you dial it to the right, the slower it will react. Longer Attack
times let more transients through.
Release The time the compressor will take to not compressing any more after the
input signal falls below the threshold. With longer release times it takes
more time to get back to normal.
Output
Gain Use Gain control to adjust the volume of the resulting signal; sometimes
called “make-up gain” as it can be used to compensate for any reduction
in the signal induced by the settings above.
Hardware
The Compressor on the hardware.
8.1.2 Gate
The Gate cuts any part of the input signal which falls below the input threshold. This can be
used to rhythmically chop the signal and make it stutter or sound staccato.
The Effects Overview
Dynamics
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