User Manual

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Table Of Contents

Title Page
Disclaimer
Contact
Table of Contents
1 Welcome to MASCHINE!
- 1.1 Where to Start?
- 1.2 What’s New in MASCHINE 2.0?
- 1.3 Manual Conventions
2 Basic Concepts
- 2.1 Names and Concepts You Should Know
- 2.2 Adjusting the MASCHINE User Interface
- 2.3 Common Operations
- 2.4 Stand-Alone and Plug-in Mode
- 2.5 Preferences
- 2.6 Audio and MIDI Settings
- 2.7 Integrating MASCHINE into Your MIDI Setup
3 Browser
- 3.1 Browser Basics
  - 3.1.1 The MASCHINE Library
  - 3.1.2 Browsing the Library vs. Browsing Your Hard Disks
- 3.2 Searching and Loading Files from the Library
- 3.3 Additional Browsing Tools
- 3.4 Editing the Files’ Tags and Properties
- 3.5 Loading and Importing Files from Your File System
- 3.6 Locating Missing Samples
- 3.7 Using Quick Browse
4 Managing Sounds, Groups, and Your Project
- 4.1 Overview of the Sounds, Groups, and Master
- 4.2 Managing Sounds
- 4.3 Managing Groups
- 4.4 Exporting MASCHINE Objects and Audio
- 4.5 Importing Third-Party File Formats
  - 4.5.1 Loading REX Files into Sound Slots
  - 4.5.2 Importing MPC Programs to Groups
5 Playing on Your Controller
- 5.1 Adjusting Your Pads
- 5.2 Playing Tools
6 Working with Plug-ins
- 6.1 Plug-in Overview
- 6.2 The Sampler Plug-in
- 6.3 Using Native Instruments and External Plug-ins
7 Working with Patterns
- 7.1 Pattern Basics
- 7.2 Recording Patterns in Real Time
- 7.3 Recording Patterns with the Step Sequencer
  - 7.3.1 Step Mode Basics
    - 7.3.1.1 Entering Step Mode on Your MASCHINE MIKRO MK2 Controller
    - 7.3.1.2 Using Step Mode on the MASCHINE MIKRO Controller
  - 7.3.2 Editing Events in Step Mode
    - 7.3.2.1 Editing Events in Step Mode on the MASCHINE MIKRO Controller
- 7.4 Editing Events
- 7.5 Recording and Editing Modulation
- 7.6 Creating MIDI Tracks from Scratch in MASCHINE
- 7.7 Managing Patterns
- 7.8 Importing/Exporting Audio and MIDI to/from Patterns
8 Audio Routing, Remote Control, and Macro Controls
- 8.1 Audio Routing in MASCHINE
- 8.2 Using MIDI Control and Host Automation
- 8.3 Creating Custom Sets of Parameters with the Macro Controls
  - 8.3.1 Macro Control Overview
  - 8.3.2 Assigning Macro Controls
9 Controlling Your Mix
- 9.1 Mix View Basics
  - 9.1.1 Switching between Arrange View and Mix View
    - 9.1.1.1 Switching between Arrange View and Mix View on the MASCHINE MIKRO MK2 Controller
  - 9.1.2 Mix View Elements
- 9.2 The Mixer
- 9.3 The Plug-in Chain
- 9.4 The Plug-in Strip
10 Using the Drumsynths
- 10.1 Drumsynths – General Handling
- 10.2 The Kicks
- 10.3 The Snares
- 10.4 The Hi-hats
- 10.5 The Toms
- 10.6 The Percussions
11 Using Effects
- 11.1 Applying Effects to a Sound, a Group or the Master
- 11.2 Applying Effects to External Audio
- 11.3 Creating a Send Effect
- 11.4 Creating Multieffects
12 Effect Reference
- 12.1 Dynamics
- 12.2 Filtering Effects
  - 12.2.1 EQ
  - 12.2.2 Filter
- 12.3 Modulation Effects
- 12.4 Spatial and Reverb Effects
- 12.5 Delays
- 12.6 Distortion Effects
13 Creating a Song Using Scenes
- 13.1 Arranger Basics
- 13.2 Managing Scenes
- 13.3 Playing with Scenes
  - 13.3.1 Selecting a Loop Range
    - 13.3.1.1 Selecting a Loop Range on the MASCHINE MIKRO MK2 Controller
  - 13.3.2 Jumping to Other Scenes
    - 13.3.2.1 Adjusting the Perform Grid and Retrigger Setting on the MASCHINE MIKRO Controller
- 13.4 Triggering Scenes via MIDI (MASCHINE Plug-in Only)
14 Sampling and Sample Mapping
- 14.1 Opening the Sample Editor
  - 14.1.1 Entering Sampling Mode on the MASCHINE MIKRO Controller
- 14.2 Recording a Sample
- 14.3 Editing a Sample
  - 14.3.1 Using the Edit Page
    - 14.3.1.1 Using the EDIT Page on the MASCHINE MIKRO Controller
  - 14.3.2 Audio Editing Functions
    - 14.3.2.1 Audio Editing Functions on the MASCHINE MIKRO Controller
- 14.4 Slicing a Sample
- 14.5 Mapping Samples to Zones
15 Troubleshooting – Getting Help
- 15.1 Troubleshooting
- 15.2 Getting Help
16 Appendix: Tips for Playing Live
- 16.1 Preparations
- 16.2 Basic Techniques
- 16.3 Special Tricks
  - 16.3.1 Changing Pattern Length for Variation
  - 16.3.2 Load Long Audio Files and Play with the Start Point
17 Glossary
Index

2. Now enter Pad Mode by holding PAD MODE and lock it by pressing CONTROL (you can

then release PAD MODE).

3. Press F1 (KEYBD) to enter Keyboard mode.

→

If you hit the pads now, you will hear that they all play the same Sound, but each with a

different pitch. When you leave Pad Mode, the PAD MODE button stays dim lit to indi-

cate that Keyboard mode is active.

Alternatively, you can use the following shortcut:

►

In any mode, press SHIFT + PAD MODE to quickly switch your pads between Keyboard

mode and Group mode.

The pitch scale is divided in semitones, starting with pad 1 as the lowest pitch going up to pad

16 as the highest pitch.

Keyboard mode selected on the controller display in Pad Mode.

Activating Keyboard mode on your controller automatically switches the Pattern Editor to

Keyboard view in the software, and inversely.

To shift the scale in octaves use F2 (OCT -) or F3 (OCT +). You can also adjust the scale in semi-

tones via the parameter 5/6: BASE KEY described above.

Try to experiment with all kinds of Samples in the Keyboard mode; some rather boring

sounding Samples can be really interesting if you play them very low or very high!

If you prefer to play your melodies with a MIDI keyboard, you can connect one to the MIDI In

socket of your MIDI interface. You can also use any USB-MIDI keyboard selected in the Audio

and MIDI Settings panel (see section ↑2.6.2, Audio and MIDI Settings – Routing Page to get to

know how to set these up). By default the connected MIDI input device will always play the

selected Sound without the need to enter Keyboard mode.

Playing on Your Controller

Adjusting Your Pads

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