IMPORTANT SAFETY INSTRUCTIONS WARNING – When using electric products, basic precautions should always be followed, including the following: 5) The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product. 1) Read all the instructions before using the product. 6) The power-supply cord of the product should be unplugged from the outlet when left unused for a long period of time.
9) Do not attempt to service the product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. product – if it will not fit in the outlet, have a proper outlet installed by a qualified electrician. SAVE THESE INSTRUCTIONS DANGER: INSTRUCTIONS PERTAINING TO RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS: Do not open the chassis. There are no user serviceable parts inside. Refer all servicing to qualified personnel only.
Table of contents 1) Introduction ……………………………… 4 2) Getting started ………………………...… 7 A) PianoBar Components……………….. 7 B) Piano Considerations …………......... 9 C) Installing and Calibrating the PianoBar …..…. 12 D) Using the PianoBar for the First Time ……… 15 3) The PianoBar’s Controls, Connections and Menus.. ……… 17 A) Front Panel Controls/ ……………….. 17 B) Rear Panel Connections…….……… 18 C) Navigating the menus……………… 19 D) Main Setup Page…………………… 20 E) Edit Menu……………………………..
1. INTRODUCTION Congratulations! By purchasing the Moog PianoBar you have recognized you CAN teach an old dog new tricks… Of course we mean no disrespect referring to the modern acoustic piano as an old dog; it has a long and distinguished history. Adapted from the Harpsichord and other early keyboard instruments, the forte-piano, produced around 1708 by Bartolomeo Cristofori of Padova, Italy, was the first keyboard instrument to feature a wide dynamic response to a player’s touch.
it can be used to simultaneously play sounds other than the sound of the instrument being played, or record that performance information for later playback. The PianoBar extracts the information about your piano playing by means of a Scanner Bar which rests above the keys of the piano and out of the way of the player’s fingers. Yet it requires no technician to install it, it’s portable, and IT SETS UP IN JUST A FEW MINUTES…. When you are done you can leave it installed or remove it.
The Pedal Sensor contains a pair of proximity sensors, which respond to the depression of the Soft and Sustain Pedals. Why Moog and why the PianoBar? Moog is concerned with the production of soulful and innovative music utilizing the best electronic design. The Piano is an instrument that can possess a depth of expression that is unrivalled by many instruments. The PianoBar is the fruit of collaboration between Don Buchla and Moog Music.
the user interface, the sounds and the brains of the PianoBar. Both the Scanner Bar and Pedal Sensor connect to the Control Module. The Control Module contains the brains and sounds of the PianoBar. 2. GETTING STARTED PIANOBAR COMPONENTS The PianoBar is shipped inside its own carrying case. Upon opening your new PianoBar, inspect the contents to ensure that all the components are present.
• Pedal Sensor: The Pedal Sensor sits under the piano’s pedals and detects the use of the sustain and soft pedal. • Two cables: Used for connecting the Scanner Bar and Pedal Sensor to the Control Module. And of course, • This Manual. To use the PianoBar you will need: • Library Card: The Library Card serves a dual purpose. It functions as a memory storage device, which holds 20 Setups. It also serves as a height gauge for setting the distance between the Scanner Bar and the keys.
PIANOBAR CONSIDERATIONS - What you should know about the piano on which you are installing the PianoBar Please note that we have stated that the PianoBar works on virtually every 88-key acoustic piano. There are some exceptions, and features that may affect the performance of the PianoBar. • • • • The piano must have 88 keys. Cheek-blocks that have unusual shaping, or are too skinny.
if a piano is poorly regulated, the velocity of the keys may not be closely related to the loudness of the tone produced. In this circumstance, it is possible that the PianoBar will have keys that produce MIDI velocity information that is not the same as the loudness of the piano tone. In any case we highly recommend regular tuning and maintenance from a qualified Piano Technician. Your piano will love you for it. • Pedal sensor height – Every piano sits at a different height in relation to the floor.
Scanner Bar to the Control Module. The PianoBar is not a standard USB device. • Care of the PianoBar – The PianoBar is designed as all Moog equipment is – robust. However, Care should be taken with the Scanner Bar’s lower edge, which contains the infrared sensors that detect the motion of the keys. In general don’t rest it in a manner that could cause wear to these components, and don’t lean the Scanner where it can fall and possibly be damaged.
INSTALLING AND CALIBRATING THE PIANOBAR 1) Place the Scanner Bar so the end pieces are resting on the cheek blocks. Squeeze the clamps and position the Height adjustment so the Scanner Bar is well above the keys. Whenever the height of the Scanner is adjusted, be sure to squeeze the quick release clamps rather than forcing the height adjusters up and down. Make sure the back of the Scanner Bar rests against the fallboard, and that the center mark aligns with the gap between middle C and the B below it.
2) For the outside sections of the Scanner Bar, locate the thumbscrews on the front. Loosen them. Adjust the outside sections so the alignment marks line up with the gaps between their respective Bs and Cs. Once the alignment marks are set, tighten the thumbscrews. 3) Place the Library card face up on the lowest B and C so the handle points towards the back of the piano. Use the left leveling system to adjust the height of the scanner so it barely touches the top of the library card.
6) Connect the Pedal Sensor and Scanner to the Control Module using the cables provided, using the shorter of the two cables to connect the Scanner to the Control Module. Place the Control Module so you can conveniently view the screen and reach the buttons. 7) Connect the Control Module to the Power source and sound system (or headphones). Connections to external MIDI devices can be made if so desired, or the MIDI interface of a nearby computer. 8) Turn on the power (on the back of the Control Module).
a piano – to skip calibration, simply wait for the screen to change to the Main Setup Page. If the Scanner is set too high or low, the screen will display prompts in the left and right upper corners of the screen to raise or lower the left or right levelers, respectively, until the Scanner is at the correct height. When done, press Enter and you will see the “Press Enter to Calibrate” screen – do so. The display now prompts the user to play all the keys on the piano.
used to change Setups. Simply cover the LED with your finger. You will notice that an LED will light up above a key on the piano that corresponds to the number of the current Setup. (#1 is the lowest A on the Keyboard). Simply press another key, and the current Setup will be changed to the number that matches that key (for instance – middle C is 40). This allows quick access to any Setup from 1 to 88. Another way to change Setups is with the Value rotary control on the front of the Control Module.
3. THE PIANOBAR’S CONTROLS, CONNECTIONS AND MENUS • THE CONTROL MODULE’S FRONT PANEL • • • • The Front Panel of the Control Module has all the controls necessary for using and editing Setups. • • • • • Channel buttons – Allow Quick changes in Volume settings of channels 1-4 in the Main Setup Page. MIDI indicators – Display status of MIDI in and Out. Lights up when MIDI data is sent or received. Cursor – Moves Cursor. Value – Used for changing Setups or data entry when Editing Setups.
THE REAR PANEL CONNECTIONS • • The Rear Panel contains all the connections to hook the PianoBar up to the outside world. • • Power: The PianoBar requires a +12VDC center positive power supply which can deliver 830 mA or greater. A power supply is provided with the PianoBar. Pedal Controllers 1-3: These three ¼” TRS (Tip/Ring/Sleeve) jacks accept an expression pedal input. Works with moogerfooger EP-1 or equivalent. All three pedal inputs can be configured to send MIDI CCs in a Setup.
NAVIGATING THROUGH THE MENUS The PianoBar’s Menu system is really quite simple – there are 3 basic levels: the Main Setup Page, the Edit Menu, and the Edit functions you can select in the Edit menu. Navigation is simple: Press Enter/Edit to go deeper into editing, and press escape to “come back to the surface”.
There are a few instances where the Enter/Edit button serves a different purpose, such as changing between two pages (such as Channel Route), or initiating a process (such as formatting a library card). The actual parameters and functions are frequently abbreviated. The following is a comprehensive guide to the Menus and Functions of the Control Module. MAIN SETUP PAGE The Main Setup page is described in brief in the “Getting Started” Chapter.
Setups 1-88. Changing Setups with the Value control is simply a matter of placing the cursor under the current Setup number and rotating the knob – clockwise to increase, counterclockwise to decrease. The PianoBar can also respond to MIDI Program Change commands – setting the base channel on which it responds is set in “Options” (p. 30); default is MIDI channel 16.
• • • • • Setup Number Setup Name (accessed in the Library function) Effects: Reverb type, Chorus type (defined with the Effects function) Assignment of Controllers A through F: Continuous Controller Numbers, and their values. (defined with the Controllers function) Assignment of Pedals 1 to 3: CC Numbers (defined with the Controllers function) A Setup also contains a number of parameters for each MIDI Channel.
to a Library Card, it must be formatted, done with the Library Function “Format Card”. A 3-pack of Library Cards (part no. PB-LC-3PK) is available for $34.95. Card Setups are in locations 61-80. These Setups are blank unless a PianoBar Card with Setups stored on it is inserted in the card slot on the front of the Control Module. To store Setups on a card, simply copy a Setup to a location from 6180 with a formatted Library Card inserted in the Card slot. Factory Setups are in locations 81-100.
LIBRARY The Library Edit function is used to name and manage the location of Setups and Create Library Cards There are a total of 10 Library functions. Placing the cursor under the function and rotating the Value control selects the different functions. The following are the functions and how they work: Name: The Setup Name and Number are displayed, along with the current Library function, Name. With the cursor placed underneath the function, Press Enter/Edit to Begin naming the preset.
You will be prompted to press Enter to complete, or press Escape to cancel. Clear this Setup: This clears the memory of the current Setup and returns it to its default settings. With the cursor placed under the function, press Enter. The display prompts to press Enter to complete, or press Escape to cancel. Setups _ to _ Copy to _ to _: This allows the copying of a range of Setups to another location range.
Format Card is used to create a blank Library Card for storing your Setups. Any Setups present on the Card will be erased when this is performed, so be sure the card being formatted does not contain any valuable data before proceeding. With the cursor placed under the function, press Enter. The display prompts to press Enter to complete, or press Escape to cancel. sends MIDI information, and what the internal sounds are. The Channel Setup Function contains two pages.
S stands for solo. When this character is capitalized, the current channel is soloed – which means it is the only channel that can be monitored. This parameter is on both pages 1 and 2. 0:1 Grand Piano refers to the bank, program number, and the program name of the sound selected for this channel. The General MIDI sound set is organized into 128 banks. Each bank has 128 Program numbers, but not all program numbers have a sound associated with them.
curve that is not affected by the velocity of your actual playing. There are 10 curves, their responses are displayed graphically. Pan: This is the left/right balance of the sound assigned to the current channel. Trn: This refers to the transposition of the sound assigned to the current channel. Transposition can be applied in semitones – up to 99 semitones up or down from the key being played. Reverb: This is the amount of Reverb applied to the current channel sound.
connected to that Pedal Controller input determines the value sent. The Pedal Controllers can be used as real time controllers. A very useful application for this is to control the Volume of the PianoBar’s sound with an Expression pedal. EFFECTS Chorus effects available are: • Chorus 1 • Chorus 2 • Chorus 3 • Chorus 4 • Feedback • Flanger • Short Delay • FB (Feedback) Delay CHANNEL ROUTE Effects function assigns the global effects for each Setup. Choose Reverb type or Chorus type.
whether the MIDI input is sent to the Internal sounds, the scanner bar LEDs, Both, or neither. When viewing the MIDI out Routing for a Setup, the settings can be viewed in this screen, but not changed. The routing of MIDI out is done on page 1 of the Channel Setup function. • OPTIONS • • PC: switches between 0 to 127 and 1 to 128 Program Change numbering schemes. LED TRACK: The word TRACK indicates that the Scanner Bar’s LEDs light up when the key under it is played.
4. ABOUT MIDI For those who know MIDI, you may want to skip this section and go to the next. However, if you are new to MIDI or a bit rusty, this section is for you. A complete tutorial on MIDI is beyond the scope of this program. We recommend The MIDI Manual, by David Huber, published by Butterworth-Heinemann. MIDI is an acronym for Musical Instrument Digital Interface.
MIDI also allows for more than one instrument to sound at the same time, as in an ensemble or an orchestra. A single MIDI cable can send messages on up to 16 channels at a time, allowing for up to 16 different “instruments” to sound at once. A General MIDI synthesizer (like the sounds in the Control Module) contains a standard set of sounds that are arranged in a standard list, called a bank. Each bank has 128 sounds, called Programs.
piano with the PianoBar will open many creative doors to pianists and composers who explore the possibilities.
CREATING YOUR OWN SETUP The following will walk you through the steps to creating your own Setups with two examples. The first example is a simple 1-layer Setup with Expression Pedal control of the Volume. The second example walks you through some of the more advanced features of the PianoBar. Example 1 – String Ensemble A common accompaniment to an acoustic piano sound in music is the sound of a string ensemble.
Step 3 – Channel Setup - Now it’s time to get the sound we’re after. Move the cursor under Channel Setup and press Enter. - Move the cursor underneath the name of the sound, which should be “Grand Piano”. - Use the Value control to scroll through the sounds until you reach “String Ens 1” Step 4 – Effects - Let’s add some Reverb to our String Ensemble sound. Press Enter. You will now see page 2 of the Channel Setup function.
- Move the cursor under the Setup Name, which should be blank. Use the Value control to select the first Character – “B” – then move the cursor to the next character and select a “a”. Repeat this until you have spelled “Bass and Vibe Space”. - Press Escape to return to the Edit Menu. Step 3 – Building the Layers - First we’ll configure Channel 1. Move the cursor under Chn Setup and press Enter. - Move the cursor underneath the name of the sound.
- Move the cursor under the “Pan” setting, and use the Value control to decrease the pan to L6. - Move the cursor under the Channel. Use the Value control to increase the Channel number to Channel 3. - On to Channel 3! So far we have a Bass sound panned to the Left from the Low A to the C an octave below middle C, and a Vibraphone sound panned to the right above that.
-Advance the cursor to the Channel 1 location it should say “B”. Use the Value control to turn this off. Move the cursor to the Channel 3 location set this to “I” for internal. - Now, move the cursor back to the “A#”. Use the Value control to change this to “B#”. - Move the cursor to the right of “B#” and increase the MIDI CC number to 5. This corresponds to the MIDI CC number for portamento rate. - Move the cursor to the MIDI CC Value. Use the Value control to change this to 64.
Appendix A MIDI IMPLEMENTATION CHART Moog Music Inc.
Control Change Program Change True # O* O** O O 0 –127 O 0 –127 O X X X X X X *0-127 ** 0-2,5-7,10,11, 64-67,7178,80,81,91,93, 100,101 (RPN) 120,121,123,126, 127 System Exclusive System Common System Real Time Aux Messages Notes Mode 1: Omni On, Poly Mode 3: Omni Off, Poly Mode 2: Omni On, Mono Mode 4: Omni Off, Mono O: Yes X: No 40
Appendix B – User and Factory Setup Chart The Setups provided in the PianoBar include useful basic sounds and interesting layered sounds. The following is a chart of the sounds used in the Setups and a brief description for reference. The first 60 Setups are user definable, feel free to use these setups as a springboard for your own creations.
7u Warm Pad ch1 0:90 Warm Pad ch2 8:51 SynStrings3 ch3 0:76 Pan Flute 8u Flutey 9u Vocal Ease 10u Bells 11u Caribbean 12u Ravi ch1 0:73 Piccolo 1 ch1 0:53 Choir Aahs ch1 127:47 Bell Singer ch1 0:115 Steel Drums ch1 0:105 Sitar ch2 0:76 Pan Flute ch2 0:54 Voice Oohs ch2 0:9 Celesta ch2 0:109 Kalimba ch2 0:105 Sitar ch3 127:35 Choral ch3 0:15 TubularBells ch3 0:79 Whistle ch3 0:27 Jazz Guitar 13u Electric Harpsichord ch1 0:7 Harpsichord ch2 0:7 Harpsichord ch3 0:7 Harpsichord 14u Malle
17u Sweet Harp ch1 0:47 Orc Harp ch2 127:59 Harp 2 18u Accordionly ch2 127:16 Accordion 19u Organism 20u Voices in the Mist 21u Bass and Strings ch1 0:24 Tango Accord ch1 127:11 Elec Orgn3 ch1 0:89 New Age ch1 0:49 String Ens 1 22u Bass and Vibes ch1 127:98 Vibe 1 ch2 127:99 Vibe 2 23u Bass and Voices ch1 0:54 Voice Oohs ch2 0:53 Choir Aahs ch3 8:22 Italian Accordion ch3 8:17 DetunedOrg ch3 0:93 Bowed Pad ch3 0:33 Acoustic Bass ch3 0:33 Acoustic Bass ch3 0:35 Picked Bass 24u Bass and
26u Bass and Brass ch1 8:63 SynBrass2 ch2 127:96 Brass Sect 1 ch3 0:33 Acoustic Bass ch3 0:33 Acoustic Bass ch4 0:38 Slap Bass2 27u Bass and Strings 2 ch1 0:46 PizzStrings ch2 0:50 String Ens 2 28u Bass&Vibes&MutedHorn ch1 0:12 Vibraphone ch2 0:13 Marimba ch3 0:60 Mute Trumpet ch4 0:33 Acoustic Bass 29u Bass and Bells ch1 127:100 Syn Mallet ch2 9:15 Carillion ch3 127:33 Fantasy ch4 0:33 Acoustic Bass 30u Bass and Echo Flute ch1 0:73 Piccolo 1 ch2 127:109 Whistle 1 ch3 127:109 Whist
32u Synth Bass and Lead ch1 127:45 Doctor Solo ch2 1:81 Square ch3 1:82 Saw ch4 127:29 Syn Bass 1 33u Bass and Elec Guitar ch1 0:31 Distorted Guitar ch2 8:31 Feedback Gtr ch3 8:29 Funk Guitar ch4 0:35 Picked Bass 34u Bass and Reeds ch1 0:70 English Horn ch2 0:72 Clarinet ch3 127:85 Oboe ch4 0:36 Fretless Bass 35u Bass and Toy Piano ch1 8:32 Gtr Feedback ch2 8:32 Gtr Feedback ch3 0:10 Glockenspiel ch4 127:68 Elec Bass 2 36u Bass and Pan Flute ch1 127:111 Bottleblow ch2 0:76 Pan Flu
39u Bass and Pipe Organ ch1 0:21 Reed Organ ch2 127:13 Pipe Orgn 1 ch4 0:36 FretlessBass ch2 127:36 Glasses ch3 0:20 Church Organ ch3 127:33 Fantasy 40u Bass and Bell Strings ch1 0:50 String Ens 2 41u Zen Garden ch1 8:108 Taisho Koto ch2 0:108 Koto ch3 0:107 Shamisen ch4 127:107 Sho 42u Kalimba Pad ch1 0:109 Kalimba ch2 127:100 Syn Mallet ch3 0:101 Brightness ch4 0:55 Synth Voices 43u Steel&Wood&Warmth ch1 0:26 Steel Guitar ch2 8:27 Hawaiian Gtr ch3 0:96 Sweep ch4 0:14 Xylophone
u Toy Piano ch1 0:9 Celesta ch1 0:82 Saw Lead ch1 0:33 Acoustic Bass ch2 0:10 Glockenspiel ch2 127:20 Clavi 1 ch2 0:5 El.
53u Floating Atmosphere ch1 127:38 Atmosphere 1 ch1 127:47 Bell Singer ch1 8:81 Sine ch2 0:100 Atmosphere 2 ch2 0:93 Bowed Pad ch2 8:81 Sine ch3 0:32 Gtr Harmonics ch3 127:36 Glasses ch3 8:81 Sine ch4 0:32 Gtr Harmonics ch4 0:10 Glockenspiel ch4 8:81 Sine 54u Floating Bells 55u Long Time Growth 56u Smooth Background ch1 127:108 Shakuhachi ch2 0:52 SynStrings 2 ch3 0:51 SynStrings 1 ch4 0:96 Sweep 57u Very Electric 58u On the Mountain ch1 127:21 Clavi 2 ch1 0:124 Bird Tweet ch2 127:40 Fu
83f Good Vibes ch1 0:12 Vibraphone ch1 0:6 El.
94f Synth Strings ch1 0:51 SynStrings1 ch2 8:51 SynStrings3 95f Cosmic Whistling ch1 127:110 Whistle 2 ch2 127:109 Whistle 1 96f Sweet Harp ch1 0:47 Orc Harp ch2 127:59 Harp 2 97f Accordionly ch2 127:16 Accordion 98f Organism 99f Voices in the Mist 100f Bass and Strings ch1 0:24 Tango Accord ch1 127:11 Elec Orgn3 ch1 0:89 New Age ch1 0:49 String Ens 1 ch2 0:19 Rock Organ ch2 0:101 Brightness ch2 0:50 String Ens 2 ch3 0:52 SynStrings2 ch3 8:22 Italian Accordion ch3 8:17 DetunedOrg ch3
Appendix C –Sound Chart (Banks and Program Numbers) PC Bank 0 1 Grand Piano1 Bright Piano1 2 3 Bank 1 Bank 2 Bank 3 Bank 4 Bank 5 Ban k6 Bank 7 Bank 8 5 El. Grand Piano1 Honky-tonk Piano El. Piano 1 6 El.
18 Perc.
36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 Fretless Bass Slap Bass1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani String Ensemble 1 String Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Choir Oohs Synth Voice Orchestra Hit Trumpet Synth Bass 3 Synth Bass 4 Glasses Sound Track Atmosphere Warm Bell Funny Vox Echo Bell Ice Rain Oboe 2001 Echo Pan Doctor Solo School Daze Bell Singer Orchestra Squar
58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass 1 Synth Brass 2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Lead 1 (Square) Lead 2 (Sawtooth) Lead 3 (Calliope) Harp 1 Harp 2 Guitar 1 Brass 2 Syn Brass 3 Syn Brass 4 Square Saw Sine Guitar 2 Elec Gtr 1 Elec Gtr 2 Sitar Acou Bass 1 Acou Bass 2 Elec Bass
84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 Lead 4 (Chiff) Lead 5 (Charang) Lead 6 (Voice) Lead 7 (fifths) Lead 8 (Bass+Lead) Pad 1 (New Age) Pad 2 (Warm) Pad 3 (Polysynth) Pad 4 (Choir) Pad 5 (Bowed) Pad 6 (Metallic) Pad 7 (Halo) Pad 8 (Sweep) FX 1 (Rain) FX 2 (Soundtrack) FX 3 (Crystal) FX 4 Atmosphere FX 5 (Brightness) Clarinet 2 Oboe English Horn Bassoon Harmonica Trumpet 1 Trumpet 2 Trombone 1 Trombone 2 Fr Horn 1 Fr Horn 2 Tuba Brs Sect1 Brs Sect 2 Vibe 1 Vibe 2 Syn Mallet Wind Bell 55
102 104 105 106 107 108 109 110 111 112 113 114 FX 6 (Goblins) FX 7 (Echoes) FX (Sci-fi) Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo 115 116 117 118 119 Steel Drums Woodblock Taiko Drum Melodic Tom Synth Drum 120 122 Reverse Cymbal Guit.
124 Bird Tweet Dog 125 Telephone Ring 126 Helicopter 127 Applause 128 Gunshot Telephone Ring 2 Car Engine Start Laughing Machine Gun Horse Gallop Door Creak Bird2 Telephone Scratch Wind Chime Car Break Door Closing Car Pass Car Crash Police Siren Screaming Laser Gun Punc h Explosion Heartbeat Footstep Bird Tweet Train Jet Take off Starship Burst Noise One Note Jam Water Bell Jungle Tune 57
Appendix D – MIDI CC Numbers MIDI CC (Continuous Controller) Chart MIDI CC# 0 1 2 5 6 7 10 11 64 65 66 67 71 72 73 74 75 Description Bank Select MSB Mod Wheel – default is vibrato Breath Controller – default is 17 (not used) Portamento time Data Entry: provides data to RPN and NRPN Volume Pan (64 is center) Expression Sustain Pedal Portamento On/Off Sostenuto Pedal Soft Pedal Filter Resonance Envelope Release time Envelope Attack Time Filter Cutoff Frequency Envelope Decay Time 58
76 77 78 80 81 91 93 100 101 120 121 123 126 127 Vibrato Rate Vibrato Depth Vibrato Delay Reverb type Chorus Type Reverb level Chorus level RPN High Byte (value=0 for RPN, followed by CC 101 value 0-2, CC 6 value 0-127) RPN Low Byte (Value 0=Pitch Bend Amount, 1= Fine Tuning, 2= Coarse tuning) followed by CC6 for RPN value All Sound Off Reset all Controllers All Notes Off Mono On PolyOn 59
Appendix E - Service and techsupport info The PianoBar should serve you well for a long time without trouble. If the unit develops a fault, you can contact techsupport@moogmusic.com, or phone 800-948-1990 for assistance. We ask that you have a detailed explanation of your problem, and that you have sought assistance from this manual or our online support.
