User manual

Try using the EQ as a notch filter for phasing effects: set gain negative and sweep frequency

slowly with an LFO.

You can get shimmering tones with the high pass filter:

Start with the cut off high and sweep slowly into the mids, with some LFO for extra movement.

Slow values of the interlace parameter on the LFO can also add sparkling effects.

Sweeping SRR can also give sparkling tones, especially into a delay.

You can also build up washes of delay by setting the feedback close to 64

You can accomplish some nice pads using 5 detuned Swave sawtooths (with the unison

width different on each one) through a chorus machine: Comes out pretty nice, though the

only problem is that you use up all voices/tracks this way.

However, you don’t need to go into poly mode to get full sounding pads; layering two tracks

with related tones can already get pretty lush sounding

The monomachine has a very bright sound, to combat this:

Turn the Width parameter down to around 40 makes the sounds a lot less harsh and put the

delay time to 47 and Delay send to -40, and as much feddback you can take gives a little bit

of warmth. Also using pan on a LFO aswell as a little bit of pitch modulation on antoher LFO.

Take out frm there and mess with the filter envelope aswell to shae the sound over time, add

little bit of LPQ for this and use the EQ reverse (subtract some frequencies).

Do not forget to use the sinewave for bass, the best one for dub in my opinion

ENS CHORDS

Look in the back of the manual it explains the ens much better, but major chord with the ENS

is 0, +4, +7 and minor you just move the 3 in the 1, 3, 5 down a half step, you could try many

other different variations too.

0 + 3 -5

0 -5 +10

-5 +3 +12

-2 +7 +10

For this kind of stuff I often use the Gipsy Woman progression

G -2 +3 +5

G -2 +3 +4

F +2 +5 +9

G +1 +6 +9

F +3 +7 +9