User's Manual

The patented color rear cap serves two purposes; it
provides easy channel identification and protects
the on/off switch. It is designed to allow the on/off
switch to either be exposed or concealed as
desired. You can avoid unintended switching off of
the microphone by rotating the color rear cap 180
degrees to fix the on/off switch. The cap can be
removed by gripping it firmly and pulling; be sure
to push it firmly into place when replacing it on the
microphone.
Note: During microphone usage, the color
rear cap must be installed.
1. Performer should avoid holding the microphone over or
near the antenna section as this will deteriorate
transmission efficiency. Severe deterioration if performer
directly covers up the antenna section with both hands.
2. Many performers tend to hold the microphone by the top
grille. Unfortunately, this position seriously degrades both
the sound quality and directionality of a microphone. Even
the most expensive microphones will have its original
sound quality compromised by this method. Grabbing a
microphone by the grille will isolate the capsule's acoustic
resonance circuit or change the capsule resonator's
frequency. This results in an inferior performance in both
frequency response and the separation of directionality. In
addition, a palm's sound-focusing effect will tend to
strengthen resonances in certain frequencies and can
cause unwanted echo.
3. A proper technique is required for using directional
microphones because the distance between the
microphone and your mouth has a significant impact on
sensitivity and performance. There is an inverse
relationship between microphone sensitivity and the
distance from the mouth to the microphone. Consequently,
performers with a ''weaker'' sound level cannot expect to
hold the microphone too far away from their mouth and
compensate by turning up the amplifier volume to increase
the sound level as this can easily cause echo or feedback.
In contrast, performers with a ''louder'' sound level should
not hold the microphone too close as this can easily result
in distortion by causing the amplifier system to be
overloaded.
4. Furthermore, a large-diaphragm directional microphone
has a very distinct proximity effect. When the microphone
is close to the mouth, the bass response is strengthened
as the distance gets closer. Therefore, if a performer's
sound is insufficient in bass, they can hold the microphone
closer and use the proximity effect to help compensate for
the lower bass level. Conversely, if a performer's voice is
too heavy in the bass register, increasing the distance
between the microphone and their mouth will decrease the
proximity effect and reduce the bass response, thus
making their voice become clearer and brighter.
5. It is recommended to keep the grille and sponge
windscreen clean to avoid any substance blocking the
proximity effect of the microphone.
Rear Cap has an On/Off Switch
Protection
General Tips for Improving System
Performance
Press both sides and pull out to remove the rear cap
Turn the rear cap 180 degree and insert back
The ON/OFF switch is immovable
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