Instruction manual
White balance is the camera’s ability to make different types of lighting appear neutral.
The effect is similar to selecting daylight or tungsten film, or using color compensating
filters in conventional photography. One automatic and four preset white-balance setting
are available with still image and movie recording. White balance is set in the basic
section of the recording-mode menu (p. 38) or the movie/audio recording menu (p. 58).
When auto reset (p. 49) is active, the white balance will be reset to automatic white
balance when the camera is turned off.
The automatic white balance compensates for the color temperature of a scene. In most
cases, the auto setting will balance the ambient light and create beautiful images, even
under mixed-lighting conditions. When the built-in flash is used, the white balance is set
for the color temperature of the flash.
Preset white-balance settings must be set before the image is
taken. When one of the preset white-balance settings is
selected, an indicator will be displayed on the LCD monitor to
indicate the active white-balance setting; the effect is
immediately visible on the monitor. To record the ambient light,
set the flash mode to flash cancel (p. 28). The built-in flash can
be used with preset white-balance, but will create a pinkish or
blueish cast with the fluorescent and tungsten settings. The
flash is daylight balanced and will produce good results with
the daylight and cloudy settings.
42 43RECORDING - ADVANCED OPERATION
Used for self-portraits, the self-timer will delay the release of the shutter for
approximately ten seconds after the shutter-release button is pressed. The
self-timer drive mode is selected in the basic section of the recording-mode
menu (p. 38).
With the camera on a tripod, compose the picture as described in the
basic recording operation section (p. 25). Focus lock (p. 26) can be used
with off-center subjects. Press the shutter-release button partway down
to lock the exposure and focus (1). Press the shutter-release button all
the way down to begin the countdown (2). Because focus and exposure
are determined when the shutter-release button is pressed, do not stand
in front of the camera when taking a self-timer image. Always confirm the
focus with the focus signals before beginning the countdown (p. 27).
A countdown timer is displayed on the monitor. During the
countdown, the self-timer lamp on the front of the camera
(3) will start to blink and is accompanied by an audio
signal. A few seconds before the exposure, the self-timer
lamp will blink rapidly. The lamp will glow steadily just
before the shutter fires.
To stop the countdown, press the
up/down keys of the controller or the
menu button. The drive mode will be
reset to single-frame advance after the
exposure. The audio signal can be
turned off in the custom 1 section of the
setup menu (p. 74).
Self-timer
1
2
3
WHITE BALANCE
Cloudy - for overcast outdoor scenes.
Tungsten - for incandescent lighting: household filament light bulbs.
Fluorescent - for fluorescent lighting: office ceiling lights.
Daylight - for outdoor and sunlit subjects.