Control Centre Manual
Table Of Contents
- PRO6 Control Centre
- IMPORTANT SAFETY INSTRUCTIONS
- INSTRUCTIONS DE SÉCURITÉ IMPORTANTES
- PRO6 EC-Declaration of Conformity
- Licences
- Precautions
- Recommandations
- Avertissements de sécurité
- Recommandations générales
- Puissance
- Manipulation de l'équipement
- Installation
- Lieu d'installation
- Connexions audio
- Electrostatic discharge (ESD) precautions
- Interférences radioélectriques - Dispositif de Classe A
- Champs électriques
- Équipement de sécurité
- Équipement en option
- Accessoires spéciaux
- Contents
- Overview
- Operation
- Chapter 4: Before You Start
- Chapter 5: Working With The Control Centre
- Chapter 6: Navigation
- Chapter 7: Patching
- Chapter 8: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Connecting And Setting Up The System
- Appendices
72 Chapter 9: Setting Up The System
PRO6 Control Centre
Quick Reference Guide
Figure 15: Standard PRO6 system configuration
3 x AES50 expansion
ports
DL371 Audio
System Engine
(4 x AES50
expansion ports)
Rack (the DL351 and
DL371 units are
typically located in a
single 14U rack)
Maximum 100 m,
typically 0.5 m
(N+1 redundant
AES50)
Dual cable redundant HyperMAC
(fibre optic or copper)
PRO6 Control Centre
(control surface, router, 8 x inputs, 8 x outputs, 8 x insert
Jack I/O pairs and 6 x monitor outputs)
DL351 Modular I/O
(56 x inputs and
8 x outputs)
Copper
Fibre optic
Mix position
Stage