Control Centre Manual
Table Of Contents
- PRO6 Control Centre
- IMPORTANT SAFETY INSTRUCTIONS
- INSTRUCTIONS DE SÉCURITÉ IMPORTANTES
- PRO6 EC-Declaration of Conformity
- Licences
- Precautions
- Recommandations
- Avertissements de sécurité
- Recommandations générales
- Puissance
- Manipulation de l'équipement
- Installation
- Lieu d'installation
- Connexions audio
- Electrostatic discharge (ESD) precautions
- Interférences radioélectriques - Dispositif de Classe A
- Champs électriques
- Équipement de sécurité
- Équipement en option
- Accessoires spéciaux
- Contents
- Overview
- Operation
- Chapter 4: Before You Start
- Chapter 5: Working With The Control Centre
- Chapter 6: Navigation
- Chapter 7: Patching
- Chapter 8: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Connecting And Setting Up The System
- Appendices
Setting up the effects rack 53
PRO6 Control Centre
Quick Reference Guide
Setting up the effects rack
The GUI’s Effects screen contains a virtual eight-unit rack.
You can have a maximum of eight effects units in the rack,
the number being dependent on configuration (via the
Effects and GEQs section of the Preferences screen).
Each unit can contain any combination of the effects listed in
the Change Device Type window.
The assignable controls panel (shown in the Delay
diagram below) is common to all effects, and lets you control
effect parameters via the equivalent panel on the control
surface (master bay).
Delay — provides simple delay
line-based effects. Delay times can
be specified manually or you can use
the ‘tempo-tap’ button. It has a
three-mode delay algorithm: one
delay tap (mono or stereo
processing); dual - two delay lines
(stereo inset only); and ping-pong -
two delay lines with cross feedback.
DN780 — is a reverberation device
that emulates the Klark Teknik
DN780 Digital Reverberator/
Processor unit and lets you create
unique acoustic environments of
virtually any type.
Flanger — has one or, if configured
as stereo, two tap delay lines. One
tap is fixed and the other tap
position is modulated to provide
‘thru-zero’ flanging or single tap
modulation when ‘thru-zero’ is off.
Phaser — has one, or if configured
for dual operation, two stereo
phasers connected in serial or
parallel, according to mode setting.
Pitch Shifter — has two
independent channels that can
independently shift the pitch of
signals up or down to correct poor
pitching or generate harmonies. The
pitch change can also be modulated
as an effect.
SQ1 Dynamics — is an emulation
of the Klark Teknik Square ONE
Dynamics, which is an 8-channel
analogue dynamics processor. Used
for the precise manipulation of
compression parameters, it also
includes gating for creative and
corrective applications, and channel
linking for stereo/multi-channel
operation.