Control Centre Manual
Table Of Contents
- PRO6 Control Centre
- IMPORTANT SAFETY INSTRUCTIONS
- INSTRUCTIONS DE SÉCURITÉ IMPORTANTES
- PRO6 EC-Declaration of Conformity
- Licences
- Precautions
- Recommandations
- Avertissements de sécurité
- Recommandations générales
- Puissance
- Manipulation de l'équipement
- Installation
- Lieu d'installation
- Connexions audio
- Electrostatic discharge (ESD) precautions
- Interférences radioélectriques - Dispositif de Classe A
- Champs électriques
- Équipement de sécurité
- Équipement en option
- Accessoires spéciaux
- Contents
- Overview
- Operation
- Chapter 4: Before You Start
- Chapter 5: Working With The Control Centre
- Chapter 6: Navigation
- Chapter 7: Patching
- Chapter 8: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Connecting And Setting Up The System
- Appendices
50 Chapter 8: Basic Operation
PRO6 Control Centre
Quick Reference Guide
Setting up a mix
The control centre has 32 configurable mix buses (16 auxes and 16 matrices), each of
which can be used as aux mixes, subgroups or mix minus. All of the mixes can also be
set up as stereo pairs or mono. 16 matrix outputs can also be accessed directly from
input channels via level controls, which gives the control centre the ability to provide 32
discrete mixes, plus left, right and mono. The mix sections (input fast strips) and the
mix and sends sections (mix and master bays) provide mix control and navigation,
while the bus mode selection is via GUI only.
Similarly to the inputs and groups, identification of mixes is by colour coding.
The overview displays in the GUI channel strip (see Figure 12) show the status of the
mixes, which are colour coordinated to match those in the sends section of the control
surface.
Figure 12: Typical sends sections of the mixes in the GUI channel strip
>> To select the mix bus mode
1 Select the mix bus (see “To select a mix bus” on page 30).
2 Press the quick access button
(adjacent to the filters section)
to assign the mix overview to
the channel strip. For example,
the aux send overview for
AuxS1.
Ramp shows that this
signal is post-fader
This transition point across each group of
eight mix buses, where solid colours
change to translucent, indicates 0dB
Bar shows that this
signal is pre-fader
Bright aux number
and ramp/bar
shows that this
aux is on
Dull aux number
and ramp/bar
shows that this
aux is off