Control Centre Manual
Table Of Contents
- PRO6 Control Centre
- IMPORTANT SAFETY INSTRUCTIONS
- INSTRUCTIONS DE SÉCURITÉ IMPORTANTES
- PRO6 EC-Declaration of Conformity
- Licences
- Precautions
- Recommandations
- Avertissements de sécurité
- Recommandations générales
- Puissance
- Manipulation de l'équipement
- Installation
- Lieu d'installation
- Connexions audio
- Electrostatic discharge (ESD) precautions
- Interférences radioélectriques - Dispositif de Classe A
- Champs électriques
- Équipement de sécurité
- Équipement en option
- Accessoires spéciaux
- Contents
- Overview
- Operation
- Chapter 4: Before You Start
- Chapter 5: Working With The Control Centre
- Chapter 6: Navigation
- Chapter 7: Patching
- Chapter 8: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Connecting And Setting Up The System
- Appendices
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PRO6 Control Centre
Quick Reference Guide
Chapter 8: Basic Operation
This chapter is intended to familiarise you with the control centre by showing you how
to carry out some basic operations in order to get some audio out of it.
Note: As the operation of both input bays is principally the same, this chapter will
generally only show the operation of the 12-channel input bay. However, any
differences in operation between the 4-channel and 12-channel input bays will be
highlighted.
Please don’t forget that, although this system is a complex, high-tech piece of
equipment, it is very easy to use.
Setting a mic amplifier’s input gain
The control centre has two input gains per channel, one is the remote gain for the
analogue mic pre (stage box gain) and the other is the digital trim (console gain). In its
default state, the stage box gain is in the channel strip and the console gain is in each
input fast strip. However, you can swap these sections over (by pressing the gain swap
button) to give you a more global control of the stage box gain.
Figure 10: Gain and filter sections of the input strips
Note: The gain trim and stage box control knobs on the control surface will adjust
whatever has been ‘swapped’ to their respective strips and not necessarily what their
names suggest. The stage box control knob (channel strip) always controls the
alternative ‘swap’ to the ones shown in the input fast strips on the GUI screen.
Input gain/trim section
Input fast
strip
Swap button
Channel
strip
Filters
section
GUI input fast strip
GUI channel
strip
Graph shows the effect of
the filter on the signal