Control Centre Manual
Table Of Contents
- PRO6 Control Centre
- IMPORTANT SAFETY INSTRUCTIONS
- INSTRUCTIONS DE SÉCURITÉ IMPORTANTES
- PRO6 EC-Declaration of Conformity
- Licences
- Precautions
- Recommandations
- Avertissements de sécurité
- Recommandations générales
- Puissance
- Manipulation de l'équipement
- Installation
- Lieu d'installation
- Connexions audio
- Electrostatic discharge (ESD) precautions
- Interférences radioélectriques - Dispositif de Classe A
- Champs électriques
- Équipement de sécurité
- Équipement en option
- Accessoires spéciaux
- Contents
- Overview
- Operation
- Chapter 4: Before You Start
- Chapter 5: Working With The Control Centre
- Chapter 6: Navigation
- Chapter 7: Patching
- Chapter 8: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Connecting And Setting Up The System
- Appendices
Control surface 11
PRO6 Control Centre
Quick Reference Guide
Control surface
The control surface is divided into areas whose function is, largely, dependent on bay
location. Each bay has assorted control elements with local feedback and/or support
from the two centrally located GUI display screens. The screens can be remoted via
external VGA connections, and third party systems can also be viewed/controlled via an
integrated KVM switch on the rear panel.
Figure 2: Main areas of the control surface
A A
B
D
E
G
H
A — input fast zone: 16 input fast
strips across the 12-channel and
4-channel input bays provide the
operator’s ‘must have now’ controls.
B — channel strip and mixes:
processing areas, such as the D-zone
(dynamic), E-zone (EQ) and mix controls,
provide a more comprehensive control by
allowing detailed adjustments to a single
channel’s audio parameters.
C — channel and bus navigation
zone: sections for channel and bus
navigation and selection. For details, see
Chapter 6 “Navigation”.
D — output fast zone: 16 output fast
strips can be used for mixing and
processing aux, return, matrix and
master channels. Navigation and flip
buttons are on the right of the output fast
strips.
E — VCA and POP groups: VCA faders
and POP group sections.
F — miscellaneous: master channel
strips, A and B signal path monitoring,
communications, I-zone, surround
monitoring and mute groups.
G — primary navigation zone:
trackballs for mix and master bay GUI
screen control, and a screen access panel
(between trackballs) for direct access to
GUI menu options.
H — automation: scene store/recall
and system edit.
C
C
F
B