Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Glossary 557
PRO2 Live Audio System
Owner’s Manual
Mono: A single signal.
Mute: Function that allows a channel’s signal to
be silenced.
Mute safe: Function that means a mute cannot
be controlled by scene recall or auto-mutes.
N
N/A: Abbreviation for “not applicable”.
Navigation: The act of directing channels or
buses to the control surface for selection,
mixing, processing etc.
Navigation zone: Area on the control surface
concerning navigation.
nm: Symbol for nanometre (one billionth of a
metre).
Normalisation: An automatic process whereby
the gain of all program material is adjusted so
that the peak level will just arrive at 0dB.
Normalise: To boost the amplitude of a digital
sound so that it is as high as it can be without
clipping (0dB).
Normalised connection: Also known as
“normalled connection”. A connection that
allows a signal to pass through it when no plug
is inserted in it, but breaks the connection when
a plug is inserted.
Normalising: The process of making audio files
the same volume.
NVRAM: Abbreviation for “Non-volatile random
access memory”. this is the general name used
to describe any type of RAM that retains its
information when power is switched off. For
example, flash memory.
O
O/B: Abbreviation for “outside broadcast”.
Oct: Abbreviation for “octave”.
Octave: A difference in pitch where one tone
has a frequency that is double or half of the
frequency of another tone.
ohm (Ω): Unit of electrical resistance.
OpticalCon®: A cable connector for fibre optic
cables.
OS: Abbreviation for “operating system”.
OSC: Abbreviation for “oscillator” or
“oscillation”.
Out of phase: 1. A signal, being similar to
another in amplitude, frequency and wave
shape, but offset in time by part of a cycle.
2. 180° out of phase or having opposite polarity.
See Phase.
Outboard: External, as in an “external device”.
Outboard equipment: External equipment
used with the DL251/DL252 Audio System I/O,
but that is not part of it.
Output: 1. The signal put out by a device.
2. The physical location of where a device sends
out a signal. 3. Concerning the output bay on
the PRO2 control surface.
Overload: A condition where the signal level is
too high.
P
Pan: To move from one side to another or up
and down.
Panning: The left/right positioning of a signal
across a stereo image.
Parameter: A setting whose value can be
altered by the user.
Parametric EQ: A type of EQ that allows all of
the parameters of equalisation to be changed,
including centre frequency, boost/cut in gain,
and bandwidth.
Patch: A temporary connection (physical or
virtual) made between two audio devices or
inside one.
Patch connector: Any tab patching point, for
example, an XLR connector, bus, sidechain
compressor etc. See Patching.
Patching: Also known as “soft patching”. The
process of routing a channel/signal from a
source to a destination(s).
PCB: Abbreviation for “printed circuit board”.
PEQ: Abbreviation for “parametric equaliser”.
See Parametric.
PFL: Abbreviation for “pre-fade listen”. A
function that allows the signal to be monitored
pre-fader, that is, before it reaches the fader.
Phantom power: The power required for the
operation of a condenser microphone when it is
not supplied by internal batteries or a separate
power supply. This is supplied by the DL251/
DL252 Audio System I/O itself.
Phase: A measurement (in degrees) of the time
difference between two waveforms.
Pitch: A continuous frequency over time.
Musical interpretation of an audio frequency.
Pitch shift: Alteration of pitch or frequency, but
without adjusting tempo.