Operator Manual
Table Of Contents
- Contents
 - Overview
- Chapter 1: Introduction
 - Chapter 2: PRO2 Live Audio System
 - Chapter 3: About The PRO2 Control Centre
 
 - Getting Started
 - Basic Operation Of The PRO2
- Chapter 5: Before You Start
 - Chapter 6: Working With The PRO2 Control Centre
 - Chapter 7: Navigation
 - Chapter 8: Patching
- Introduction
 - Terms used in PRO2 patching
 - About the Patching screen
 - Patching tooltips
 - About the patching procedure
 - Configuring the devices
 - Setting up the I/O rack device(s)
 - How to patch
 
 - Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
 - Setting the high and low pass filters
 - Input equalisation (E zone)
 - Input dynamics processing (D zone)
 - Output processing
 - Using VCA/POPulation groups
 - Setting up a mix
 - Setting up the effects rack
 - Simple routing to master stereo outputs
 - Automation
 - Configuring the inputs and outputs
 - Using copy and paste
 - User library (presets)
 - Surround panning
 - Area B operation
 - Saving your show files to a USB memory stick
 - External AES50 synchronisation
 - Security (locking mode)
 
 
 - Advanced Operation And Features
- Chapter 10: Stereo Linking
 - Chapter 11: Panning
 - Chapter 12: Soloing
 - Chapter 13: Muting
 - Chapter 14: Monitors And Communications
 - Chapter 15: Graphic Equaliser (GEQ)
 - Chapter 16: Internal Effects
 - Chapter 17: Control Groups
 - Chapter 18: Copy And Paste
 - Chapter 19: Assignable Controls
 - Chapter 20: Scenes And Shows (Automation)
- About automation
 - Automation controls
 - Automation screen
 - Using the right-click menu
 - Scenes
 - Scene contents
 - Point scenes
 - Numbering and navigation
 - Initial snapshot scene (scene 0)
 - Date and time
 - Scene cue list
 - Editing scene properties
 - Adding a new scene
 - Copying and deleting scenes
 - Changing the order of the scenes
 - Overriding store scope
 - Using patching in automation
 - Using zoom
 - Show files
 - Rehearsals
 - Safes
 
 - Chapter 21: Scope (Automation)
 - Chapter 22: Events (Automation)
 - Chapter 23: Crossfades (Automation)
 - Chapter 24: User Libraries (Presets)
 - Chapter 25: File Management
 - Chapter 26: Using Other Devices With The PRO2
 - Chapter 27: Changing The Preferences
- Setting the meter preferences
 - Configuring a virtual soundcheck
 - Configuring playback
 - Restoring the PRO2 defaults
 - Checking the build information
 - Using patching in automation
 - Selecting the surround mode
 - Setting the time and date
 - Setting the user interface preferences
 - Setting the navigation mode
 - VCA unfolding
 - Changing the default input/output names
 - On-scene store
 - Changing the signal processing preferences
 - Adjusting PRO2 illumination
 - Selecting the function of the foot switch(es)
 - Selecting the fan speed
 - Remote control server
 - Configuring the channels, groups and internal units
 
 - Chapter 28: Delay Compensation (Latency)
 
 - Description
- Chapter 29: Panel Connections
 - Chapter 30: Input Channels
 - Chapter 31: Output Channels
 - Chapter 32: GUI Menu
 
 - Appendices
- Appendix A: Application Notes
 - Appendix B: Functional Block Diagrams
 - Appendix C: Technical Specification
- PRO2 general statistics
 - PRO2 general specifications
 - PRO2 audio performance specifications
 - PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
 - DL251 I/O box - analogue outputs
 - DL251 I/O box - MIDI
 - DL251 I/O box - digital system inputs and outputs
 - PRO2 control surface - DSP/router system inputs and outputs
 - PRO2 control surface - analogue audio system inputs
 - PRO2 control surface - analogue audio system outputs
 - PRO2 control surface - digital audio system inputs and outputs
 - PRO2 control surface - control data system inputs and outputs
 - PRO2 control centre - miscellaneous inputs and outputs
 
 - Inputs and output characteristics
 - Main processing functions
 - Status functions
 
 - Appendix D: Troubleshooting
 - Appendix E: Updating The PRO2 Host Software
 - Appendix F: Parameters Affected By Scope
 - Appendix G: Parameters Affected By Automate Patching
 - Appendix H: Parameters Protected By Safes
 - Appendix I: Parameters Affected By Copy And Paste
 - Appendix J: Parameters Affected By Stereo Linking
 - Appendix K: Parameters Copied Through Scenes
 - Appendix L: Service Information
 
 - Glossary
 - Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
 - 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
 - 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
 - FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
 
 
Glossary 556
PRO2 Live Audio System
Owner’s Manual
I/O: Abbreviation for “input/output”.
ID: Abbreviation for “identification”.
Ident: Scale marking, or gradation, around a 
control knob to help indicate the current setting 
and to assist in accurate adjustment.
Impedance (Z): Opposition to the flow of 
alternating current in a circuit, measured in 
ohms.
Input: 1. The signal being received by a device. 
2. The physical location of where a device 
receives a signal. 3. Concerning the input bays 
on the PRO2 control surface.
IP: Abbreviation for “internet protocol”. 
Principal network communications protocol.
K
k: Kilo- prefix symbol that represents 10
3
 or one 
thousand, for example, kHz (one thousand Hz) 
or km (one thousand metres).
Kernel: For computers, the kernel is the central 
component of most operating systems.
L
LCD: Abbreviation for “liquid crystal display”.
LCR: Abbreviation for “left-centre-right”, 
referring to speakers.
LED: Abbreviation for “light emitting diode”.
Level: General term for volume or amplitude.
LF: Abbreviation for “low frequency”.
LFE: Abbreviation for “low frequency effects”. A 
discrete channel intended for playback through 
a subwoofer speaker, although it can be fed to 
any speaker that can handle low frequency 
signals. LFE is generally used to enhance sound 
effects in films and is, typically, the “.1” in “5.1 
surround”. LFE is not full bandwidth (range). 
Examples of LFEs are: thunder, explosions and 
other bass effects.
LHS: Abbreviation for “left-hand side”.
Limiter: An extreme form of compressor that 
only affects signals above a selected threshold 
level (dB).
Linux: Also known as “Linux kernel”. Operating 
system kernel used by a family of Unix-like 
operating systems. See kernel.
LPF: Abbreviation for “low pass filter”. A filter 
that removes higher frequencies from a signal, 
leaving the lower frequencies unaffected.
LS: Abbreviation for “left surround”. The left 
rear speaker in a 5.1 surround system.
M
m: 1. Prefix symbol for “metre(s)”, for example, 
as in “200 m” (200 metres); please note the 
intermediate space. 2. Prefix symbol for milli-, 
which represents 10
-3
 or one thousandth, for 
example, as in “2ms” (2 milliseconds); there is 
no intermediate space.
MADI: Abbreviation for “multi-channel audio 
digital interface”. An AES standard for digital 
interconnection between multi-track recorders 
and mixing consoles.
Main bus: A type of bus; see Bus.
Masters: The three master channels (mono and 
stereo left and right) in the output bay.
MB: Abbreviation for “megabyte”.
MC: Abbreviation for “master controller”.
MCA: Abbreviation for “mix control associate”.
Meter: Visual device to indicate the level of a 
signal.
Mic: Abbreviation for “microphone”.
Microphone: Device for converting sound 
waves into audio signals.
MIDI: Acronym for “musical instrument digital 
interface”. A digital signal system standard that 
facilitates integration of musical instruments, 
such as synthesizers and guitars, with 
computers.
Mix: 1. A signal that contains a combination of 
signals, such as a pair of stereo signals with 
numerous effects. 2. The act of creating such a 
combination. 3. A type of bus (see Bus). 
4. Concerning the mix bay on the PRO2 control 
surface.
Mixer: 1. A console or other device that blends 
input signals into composite signals for output. 
2. An engineer/technician who carries this out, 
especially during a live performance.
mm: Symbol for “millimetre” (one thousandth 
of a metre).
MON: Abbreviation for “monitor”, used to 
describe a console/control centre being used to 
mix the signals sent to the stage monitor 
speakers.
Monitor: 1. Speaker(s) used for listening to a 
mix or live audio. 2. The act of listening to a 
mix or live audio. 3. Concerning the primary or 
secondary monitor bus system, A or B 
respectively.
Monitors: Control area on the master bay for 
monitoring the A and B signal paths.










