Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Glossary 555
PRO2 Live Audio System
Owner’s Manual
processing done after an analogue audio signal
has been converted into digital audio. Can be
used to create, for example, compression,
equalization etc., of a digital signal. A digital
signal processor is a piece of equipment
specifically designed for carrying out signal
processing.
E
E zone: Section in the input channel strip for
controlling EQ parameters.
Effect: One of a number of audio processes that
can be applied to a signal to modify it, such as
reverb, flanging, phasing, delay etc.
Effects rack: On the PRO2 GUI, a virtual rack
of internal processors. See Virtual rack.
Envelope: 1. How a sound or audio signal
varies in intensity over time. 2. The visual
representation of such, usually shown on a
graph in a GUI channel strip.
EQ: Abbreviation for “equaliser” or
“equalisation”.
Equalisation: Adjusting the frequency response
so that the levels of all frequencies are equal or
the same. Bass and treble controls are
equalization controls.
EtherCon®: A cable connector for data transfer
interconnections, which is more robust than the
basic RJ45.
F
Fader: Slider-type device for precise
adjustment of signal level or volume of a
channel.
Fast strip: A channel strip in one of the fast
zones. See Fast zone.
Fast zone: An area on a bay that contains quick
controls. See Fast strip.
FB: Abbreviation for “front-back”. A term used
in surround panning.
Feedback: See Acoustic feedback.
Filter: A device for removing frequencies above
or below certain levels.
FOH: Abbreviation for “front of house”. The
area in a theatre used by the public. Used to
describe a console/control centre being used to
control the sound that the audience will hear
(and not the performers’ monitor system).
Frequency: The number of times that a sound
wave’s cycle repeats within one second.
Fricative: A consonant, such as “f” or “s”,
produced by the forcing of breath through a
constricted passage.
From section: The leftmost area of the
patching screen that contains the source patch
connectors. See Patching.
FX: Abbreviation for “sound effects”.
G
Gain: Another term for signal level.
Gain reduction (compressor): Decrease in
gain when input signal is above threshold. See
Gain.
GEQ: Abbreviation for “graphic equaliser”. See
Graphic EQ.
GEQ rack: A virtual rack of GEQs. See Virtual
rack.
Glide pad: Device for controlling the GUI. See
Navigation zone, Touchpad and Trackball.
Granularity: A measure of the size of
components or a description of the components
comprising a system.
Graphic EQ: A form of EQ that has a number of
faders for controlling the gain of the audio
signal. The faders are set at frequency bands
that are evenly-spaced according to octaves.
GUI: Abbreviation for “graphical user interface”.
GUI channel strip: Rightmost section of a GUI
screen that represents the detail area of the
input or output channel strip selected to the
control surface.
GUI menu: A menu selectable at either GUI
screen by clicking the home button (upper-left
corner).
GUI screen: One of the PRO2’s five screens,
which comprise the GUI.
H
HPF: Abbreviation for “high pass filter”. A filter
that removes lower frequencies from a signal,
leaving the higher frequencies unaffected.
Hum: Undesirable low frequency tone present in
a signal due to grounding problems or proximity
to a power source.
Hz: Symbol for “Hertz”. A unit of frequency
equal to one cycle of a sound wave per second.
I
I zone: Area on the output bay that contains
the operator-assignable controls.