Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Glossary 554
PRO2 Live Audio System
Owner’s Manual
Bay: One of the five main control centre
modules, which contains a control surface and a
GUI screen.
Bus: A pathway down which one or more signals
can travel.
C
Cat 5e: A specification for a type of cable used
typically for Ethernet computer networks.
Channel: Single path taken by an audio signal
(input or output) through the control centre.
Channel strip: Row of controls in traditional
analogue layout used for the shaping of a signal.
Checkpoint: A patching data store point,
created by clicking CHECKPOINT. See
Patching.
Click: A method of GUI operation, mainly for
button operation and selection purposes.
CMR: Abbreviation for “common mode
rejection”. A measure of how well a differential
amplifier rejects a signal that appears
simultaneously and in-phase at both input
terminals. CMR is usually stated as a dB ratio at
a given frequency.
Comb filtering: Removal of signal components
at a number of regularly spaced frequencies.
Compressor: A dynamics processor that
reduces the level of any signal exceeding a
specified threshold volume.
Condenser microphone: A high quality mic
that uses a capacitor to detect changes in the
ambient air pressure, which it then converts into
an electrical signal. This type of mic requires
power from a battery or external source.
Control centre: The console of the PRO2,
comprising control surface and GUI.
Control surface: Area on the control centre
that houses all of the user’s hardware controls,
such as pushbuttons, control knobs, switches
etc.
Crossfade: To combine signals such that one
channel or source fades out while another fades
in, but maintaining an essentially constant
programme volume. Also known as “X-fade” or
“xfade”.
Cursor: Generally, used to describe the
“I”-shaped pointer on the GUI that indicates a
text insertion point. See Pointer.
D
D zone: Section in the input channel strip for
controlling dynamic parameters.
D/A: Abbreviation for “digital to analogue”. The
conversion of digital data to analogue audio.
DARS: Abbreviation for “digital audio reference
signal”.
Dashboard: A standard GUI screen display -
usually on the output bay - that shows all
channel meters (inputs, auxes, returns, masters
etc.) all of the time.
dB: Symbol for “decibel”. A unit of
measurement of the loudness of sound. See
dBu.
dBu: A unit of measurement of sound used in
professional audio. Derived from the decibel,
where the “u” stands for unloaded, this unit is
an RMS measurement of voltage based on
0.775V
RMS
, which is the voltage at which you
get 1mV of power in a 600 ohm resistor. This
used to be the standard impedance in most
professional audio circuits.
DC: Abbreviation for “direct current”.
Delay: An effect by which a reproduction of a
signal is played back later then its original.
Destination: In patching, the patch connector
to which a signal is routed. See Patching.
Detail area: a control section in the channel
strips.
Device: A diagram(s) on the I/O tabs (GUI
patching) representing a physical rack unit, such
as a line I/O, mic splitter, DN9696, AES50 etc.
See Patching.
DHCP: Abbreviation for “dynamic host
configuration protocol”. A network configuration
protocol for IP network hosts.
DI: Abbreviation for “direct inject” or “direct
injection”. Signal is plugged directly into the
audio chain without using a microphone.
DI box: Device for matching the signal level
impedance of a source to mixer input.
Divergence: The spreading of sound waves
from a source in a free field environment, that
is, one with no reflections. Causes the sound
pressure levels in the far field of the source to
decrease as the distance from it increases.
Drag: A method of GUI operation, mainly for
control adjustment. Also used for selecting
blocks of patch connectors during patching.
DSP: Abbreviation for “digital signal processing”
or “digital signal processor”. Any signal