Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
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PRO2 Live Audio System
Owner’s Manual
Glossary
This section provides an explanation of some of the symbols, terms and abbreviations used in this
manual.
5.1 surround: A surround sound system
created from six channels that form a discrete
signal, which is played back over a speaker
system comprising five speakers (three front
and two rear) and a subwoofer (which is the “.1”
or LFE channel). See LFE.
µ: Micro- prefix symbol that represents 10
-6
or
one millionth.
A
A/D: Abbreviation for “analogue to digital”. The
conversion of a continuous signal into a numeric
discrete sample sequence.
AC: Abbreviation for “alternating current”.
Acoustic feedback: A sound loop existing
between an audio input and audio output that is
amplified on each cycle. For example, a mic
input signal is amplified and passed to a
loudspeaker. The output from the loudspeaker
is picked up by the mic, which amplifies it again
and passes it back to the loudspeaker, and so
on.
AES/EBU: Abbreviation for “Audio Engineering
Society/European Broadcasting Union”; see
AES3.
AES3: Also known as “AES/EBU”, this is a serial
interface for transferring digital audio between
devices.
AES50: AES digital audio engineering standard.
AES50 is a high resolution, multi-channel audio
interconnection (HRMAI). Rather than a
network, it is a high-performance, point-to-point
audio interconnection, although the auxiliary
data may operate as a true network,
independently of the audio. HRMAI provides a
professional multi-channel audio interconnection
that uses Cat 5e data cable and is compatible
with Ethernet networks.
AFL: Abbreviation for “after fader listen”. A
function that allows the signal to be monitored
post-fader, that is, after it has been acted upon
by the fader.
Algorithm: In computing, a set of instructions
for accomplishing a specific task.
amp (A): Abbreviation for “ampere”. A unit of
current.
Anti-aliasing: When referring to digital images,
a technique that avoids poor pixelation.
Area A: Primary input control area.
Area B: Secondary input control area.
Assignable controls: Any controls, such as
select buttons (LCD switches), that can be set
up by the user to control any function required.
Auto safe: Prevents channel from accepting
scene recall.
Auto-mute: A function that automatically
mutes the channel’s signal under certain
conditions.
Auto-mute group: A function that
automatically mutes a number of selected
channels under certain conditions.
Automation: 1. Memorization and playback of
changes made to mixer settings. 2. An area on
the output bay that controls these.
Aux: Abbreviation for “auxiliary send” or “aux
send”. A designation for extra buses, typically
used for sending signal to effects, headphone
amps and other destinations. See Bus.
Aux send: See Aux.
B
Balanced audio: A type of audio connection
that uses the three leads in a cable, connector
and jack as part of a phase-cancelling
arrangement to boost the signal and reduce
noise.
Band: In EQ, a range of frequencies.
Bandwidth: In EQ, the width of a band, that is,
the number of frequencies that will be
boosted/cut above and below a centre
frequency.
Bank: A fixed number of channels.
Bass: Lower frequencies in a signal.