Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
14 Chapter 2: PRO2 Live Audio System
PRO2 Live Audio System
Owner’s Manual
Effects processing and GEQs
The PRO2 contains eight mono Klark Teknik (KT) GEQs and eight effects processors as
standard.
The effects processors (six maximum) can be freely chosen from the following:
•Stereo delay.
•Stereo flanger.
•Stereo phaser.
• Stereo harmoniser.
• Stereo reverb (KT DN780).
•Stereo Dynamic EQ.
• GEQ (each effect slot can be sacrificed to gain an additional four GEQ effects).
• Eight channels of SQ1 Dynamics.
Up to 28 mono KT GEQs can be patched into any output. There are many patching
options for the effects processors. They can be patched to any source or destination
within the system and you can even patch directly to and from an effect externally.
Surround capabilities
Theatres and broadcast have differing requirements for surround, and both are catered
for in the PRO2.
Conventional stereo and SIS™ panning is assignable on a channel by channel basis
(channel one can be in stereo while channel two can be in SIS™), as follows:
• Stereo left–right routing to master buses.
• SIS™ left–right–centre routing to master buses.
Three additional surround modes operate as follows:
• Quad (left, right, LS and RS).
• Surround (left, centre, right surround).
• 5.1 surround (left, centre, right, subwoofer (LCRS), LS and RS).
Network
The PRO2’s digital audio network utilises the physical connectivity of Ethernet
(EtherCon® connectors and Cat 5e/Cat6 cable), but replaces its data protocol with
AES50 protocol (implemented as SuperMAC) and the HyperMAC high capacity system,
which are more suited to high quality, low latency audio distribution. The use of the
AES standard allows straightforward interfacing with any third party hardware that also
utilises this connection.
AES50 and HyperMAC connections carry digital audio, control data and standard
Ethernet traffic bi-directionally down a single cable. Cat 5e cable is used for the ‘local’
(24-channel) connections and the single digital ‘snake’
1
— between control centre and
router — is either Cat 5e/Cat6 or fibre optic. The combination of audio, control, clock
and third party Ethernet data in a single network means that the hardware interfaces on
a single RJ45 connection.
All system connections are duplicated for full dual redundancy.
1. The digital snake is equivalent to a 384-channel analogue multi-core cable (192 channels in each
direction).