Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
274 Chapter 31: Output Channels
PRO2 Live Audio System
Owner’s Manual
EQ (E zone)
For tonal control of the aux, matrix and master output signals, the output channel EQ
has the option of a six-band sweep parametric EQ (PEQ) or an assignable graphic EQ
(GEQ).
PEQ
The parametric EQ section (E zone) of the channel strip (mix and master bays) allows
tonal control of the input signal. The E zone contains all of the PEQ controls, along with
a shelving mode selection button and another set of band selection buttons.
All of the outputs have six-band PEQs. Two of the six bands have three shelving modes
each, while another has just one. Any combination of the six bands can be used to
control the signal, although only one band can be adjusted in the E zone at any time.
However, the EQ processing area (GUI channel strip) displays four bands at any time,
and also has navigational controls.
3 threshold control knob, sets the signal level above which gain reduction
starts to be applied. Range is from -50dBu to +25dBu.
4 comp/gate up and down select buttons, for swapping dynamic section
control from compressor to gate, and vice versa.
5 Compressor make up gain control knob, compensates for the reduced
loudness of a compressed signal. Range is from 0dB to 24dB.
6 Compressor KNEE switch, controls how compressor starts to apply
attenuation as the signal goes through the threshold (see “About the
compressor graph” on page 252). For more information, see “Knee” on
page 290.
7 Compressor ratio/range/[ratio] control knob, adjusts amount of
compression applied to signals above threshold. Range is from infinity (∞)
to 1:1. When set to infinity it sets the compressor to limiter mode.
8 Compressor attack control knob, adjusts time for compressor to respond
after an
over-threshold signal. Range is from 0.2ms to 20ms (milliseconds).
9 MODE switch, selects compressor mode from the five compressor types
available (see “PRO2 compressor modes (dynamic)” on page 289).
10 Compressor release control knob, adjusts time for compressor to recover
after programme material falls back below threshold. Range is from 0.05s
to 3.00s (seconds).
11 Compressor ‘gain reduction’ meter (not displayed).
Item Description