Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
252 Chapter 30: Input Channels
PRO2 Live Audio System
Owner’s Manual
About the compressor graph
The GUI shows a graph of the compressor envelope (input
level against the output level) to help you visualise the effect
that the compressor is having on the signal (typically as shown
right).
Figure 23 “Compressor graphs showing the effect of ratio”
shows what happens to the compressor graph with and
without ratio. Initially, both graphs have the same slope,
which is pre-threshold and unaffected by compression; this
has a gradient of 1:1 — ‘what you put into the compressor,
you get out’. Without ratio the slope is constant and remains
unaffected by compression. However, with ratio the gradient changes at threshold,
which is the point where compression starts to be applied. After this the gradient of the
post-threshold signal is at the selected ratio value.
Figure 23: Compressor graphs showing the effect of ratio
The diagram right shows the effects of
threshold adjustment. Position 2 is the
threshold of the actual compressor graph
shown on the GUI. If you reduce threshold
(for example, to position 1), compression
starts earlier and less signal is passed 1:1;
the signal path would follow the green line.
Conversely, increasing threshold (for
example, to position 3) delays compression
and more signal is passed 1:1; the signal
path would follow the yellow line.
Input level
Output level
With ratio appliedNo ratio applied
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Threshold
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