Operator Manual
Table Of Contents
- Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO2 Live Audio System
- Chapter 3: About The PRO2 Control Centre
- Getting Started
- Basic Operation Of The PRO2
- Chapter 5: Before You Start
- Chapter 6: Working With The PRO2 Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Introduction
- Terms used in PRO2 patching
- About the Patching screen
- Patching tooltips
- About the patching procedure
- Configuring the devices
- Setting up the I/O rack device(s)
- How to patch
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POPulation groups
- Setting up a mix
- Setting up the effects rack
- Simple routing to master stereo outputs
- Automation
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Area B operation
- Saving your show files to a USB memory stick
- External AES50 synchronisation
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scenes
- Scene contents
- Point scenes
- Numbering and navigation
- Initial snapshot scene (scene 0)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO2
- Chapter 27: Changing The Preferences
- Setting the meter preferences
- Configuring a virtual soundcheck
- Configuring playback
- Restoring the PRO2 defaults
- Checking the build information
- Using patching in automation
- Selecting the surround mode
- Setting the time and date
- Setting the user interface preferences
- Setting the navigation mode
- VCA unfolding
- Changing the default input/output names
- On-scene store
- Changing the signal processing preferences
- Adjusting PRO2 illumination
- Selecting the function of the foot switch(es)
- Selecting the fan speed
- Remote control server
- Configuring the channels, groups and internal units
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Input Channels
- Chapter 31: Output Channels
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Functional Block Diagrams
- Appendix C: Technical Specification
- PRO2 general statistics
- PRO2 general specifications
- PRO2 audio performance specifications
- PRO2 system inputs and outputs
- DL251 I/O box - analogue inputs
- DL251 I/O box - analogue outputs
- DL251 I/O box - MIDI
- DL251 I/O box - digital system inputs and outputs
- PRO2 control surface - DSP/router system inputs and outputs
- PRO2 control surface - analogue audio system inputs
- PRO2 control surface - analogue audio system outputs
- PRO2 control surface - digital audio system inputs and outputs
- PRO2 control surface - control data system inputs and outputs
- PRO2 control centre - miscellaneous inputs and outputs
- Inputs and output characteristics
- Main processing functions
- Status functions
- Appendix D: Troubleshooting
- Appendix E: Updating The PRO2 Host Software
- Appendix F: Parameters Affected By Scope
- Appendix G: Parameters Affected By Automate Patching
- Appendix H: Parameters Protected By Safes
- Appendix I: Parameters Affected By Copy And Paste
- Appendix J: Parameters Affected By Stereo Linking
- Appendix K: Parameters Copied Through Scenes
- Appendix L: Service Information
- Glossary
- Other important information
- 1 Register online. Please register your new Midas equipment right after you purchase it by visiting www.midasconsoles.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Als...
- 2 Malfunction. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country at www.midasconsoles.com. If your country is not listed please contact the “United Kin...
- 3 Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception.
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
206 Chapter 26: Using Other Devices With The PRO2
PRO2 Live Audio System
Owner’s Manual
Sharing the A and B inputs of the mic splitter
If you are using two Midas digital consoles, you must configure them to use the A or B
inputs of the mic splitters. Although it doesn’t matter which inputs each console uses,
they can’t use the same ones. Also, both consoles must be synchronised.
>> To configure two PRO2s for use with the mic splitters
In a dual FOH and MON system it may be easier and more convenient to always set the
FOH control centre to master, and to use the mic splitter A inputs for FOH and the B
inputs for MON. Also, although the sync method doesn’t matter in this case, it is easier
to sync the two consoles using the DL431 Mic Splitters, as described below.
1 Mute the PA at the amplifier/speaker.
2 Configure the AES50 Sync option of the DL431 Mic Splitter’s main menu to
Cable Sync A.
3 On the FOH control centre, configure the port that the DL431 Mic Splitter is
connected to (see “Device set-up procedure” on page 63).
4 Configure the FOH control centre by choosing homePreferencesGeneral at
the GUI and then selecting the following options on the Configuration tab:
• Choose the “Use A Inputs” option (shown
right).
• Under the Master/Slave Status heading,
choose the “Master” option.
5 On the MON control centre, configure the port
for the DL431 Mic Splitter (see “Device set-up
procedure” on page 63).
6 Configure the MON control centre by choosing homePreferencesGeneral
at the GUI, and then selecting the following options on the Configuration tab:
• Under the DL431 Mic Splitter Inputs heading, choose the “Use B Inputs”
option.
• Under the Master/Slave Status heading, choose the “Slave” option.
•In the Sync Source drop-down list, choose the port that you configured for
the DL431 Mic Splitter in the previous step.
Using an external USB mouse
You can operate the GUI screen using an external USB mouse instead of its
trackball/glide pad. Just plug the mouse into one of the USB sockets on the rear panel
of the PRO2. Alternatively, you can plug it into the socket in the storage section (to
the right of the population and mute groups section).
Using a USB keyboard
You can use a USB keyboard (other than the one supplied). Just plug it onto one of the
USB sockets on the rear panel of the PRO2. Alternatively, you can plug it into the
socket in the storage section (to the right of the population and mute groups
section).
Using an external monitor
You can plug a monitor in the DVI socket on the rear panel of the PRO2 for viewing
what is shown on any GUI screen.