Manual

96 PRO X User Manual
Working with the eects
There are a number of ways of handling the eects, such as setting up,
conguration and operation, all of which involve the use of the GUI. However,
most of these methods can also be carried out using the I zone; see Chapter 19
“Assignable Controls (I Zone)”.
>> To open the Eects screen
Do one of the following:
• At the GUI, choose home  Rack Units  Eects.
• In the primary navigation zone, press the eects/graphics access button.
>> To operate an eect control
The method for controlling the eect controls is the same as for any control on a
GUI screen. For details, see “About GUI operation” in chapter 6.
>> To congure an eect
Similarly to the input channels, output channels, groups etc., you can change the
name of an eect and the background colour of its text eld, as it appears on the
GUI (see “Conguring VCA/POP groups” in chapter 9).
>> To change an eect type
For details, see “To choose an eect” in chapter 9.
>> To route an eect
Eects are patched via the Patching screen. For details, see Chapter 8 “Patching”.
Eect conguration
The following versions are available for each eect type. The PRO X selects the
appropriate one automatically, depending on the conguration of the channel
into which the eect is inserted:
• Mono in and out: for mono auxes and returns, mono input channel, audio
subgroup and mix bus inserts.
• Stereo in and out: for stereo auxes and returns, stereo input channel, audio
subgroup and mix bus inserts.
If the mono/stereo pairing status of a channel is changed while an
eect is inserted, the eect will be replaced with the correct mono/
stereo implementation.
Eect programs
Some types of eect have associated factory presets and user-congurable
programs, which you can load within the eect (these are also stored in a
show le). You can also save all of the controls from one or more eects in a user
preset, which will then contain information about their settings, including the
loaded factory preset or usercongurable program.
For details of each eect type, refer to its section in this chapter. For information
on presets, see Chapter 24 “User Libraries (Presets)”.
Delay eect
The delay eect provides simple delay line based eects. Delay times can be specied manually or by means of a ‘tempo-tap’ button. The delay eect has a
three-mode delay algorithm:
• Single — one delay tap (mono or stereo processing).
• Dual — two delay lines (stereo insert only).
• Ping-pong — two delay lines with cross feedback.
Front panel of the delay eect
Item Control Function
1 BPM Sync button Activates BPM (TAP TEMPO) mode.
2 Left channel delay time control knob For entering the desired delay time. Value is shown immediately below, in ms or BPM.
3 Range button
Selects one of three delay time ranges (1-25 ms, 10-200 ms or 80-1600 ms). Value is displayed
immediately below/above button.
4 Link button Links delay time of left and right channels.
5 Pan control knob Pans channel between L (left) and R (right) outputs.
6 Level control knob Adjusts the output level. Range is from o to +10 dB.
7 Feedback control knob
Adjusts the amount of negative/positive feedback applied to delay. Controls the number of repeats.
Range is from -100% to +100%.
8 Blend control knob Adjusts the feedback blend from norm to cross.
9 Depth control knob Adjusts depth of delay modulation. Range is from 0 to 100.
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